His Yosemite photos appealed to me much more than those of Ansel Adams – so rich, haunting, and well composed. The stereographs didn’t do much for me especially since they were so small and mounted so low on the wall (the exhibit seems to be hung for short people!).

I loved the last room and being able to see the different angles that his stop action photos were taken from. The child who walks on all fours was freaky, and why was everyone nude?

One critique of the exhibit was the signage. Because the lights are turned down to preserve the work, it’s difficult to read the text that’s printed on dark paper. Strange call, Corcoran.