Hot Ticket: Fucked Up @ Rock & Roll Hotel, 6/27/11

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photo by Michael Darpino

First, it’s worth noting that, given their band name, Fucked Up never would have made it 20 years ago. You know, back when you discovered music by listening to corporate radio. I can just imagine all the record execs sitting around, begging Fucked Up to change their name. “Wal-Mart will never carry it!”, they’d say. Nowadays, perhaps due to the internet’s outsized role in music distribution and promotion, it’s barely even remarkable to curse in your band name. Maybe Cee-lo Green cleared the way for profanity-laden band names everywhere? Hell, even artists like Britney Spears and Katy Perry can get away with using single entendres these days without pissing off the censorship crew.

Also without the internet, maybe you wouldn’t know about Fucked Up‘s show on Monday night at the Rock and Roll Hotel. (You’re welcome.) Fucked Up has gotten a lot of buzz, from winning Canadian music awards to scoring a glowing review in Pitchfork for their new album “David Comes to Life”. Said album is a sprawling rock opera, if you will. I’m not really prone to dig into ‘concept albums’, but I’ll tell you this: Fucked Up bring a fistful of punk attitude to what are essentially upbeat rock songs. The massive, noisy guitar melodies are so pleasant that they counterbalance the singer’s growly demeanor, producing something that sounds like the bastard child of The Hold Steady and Black Flag. Mix in a female vocalist, and there’s something for everyone to appreciate.

Garage rockers Jeff the Brotherhood (check this trippy video for a taste) and psychedelic punks Regents open the show. Will people get rowdy and mosh? Or will they sing along with huge grins? Find out Monday.

(Editor’s note: I caught Fucked Up at ATP 2010 and based on what I saw there, I vehemently endorse this show!)

Fucked Up

w/ Jeff the Brotherhood, Regents
Monday, June 27, 2011
Rock and Roll Hotel
$15

Martin Silbiger

Martin moved from Atlanta to DC in 2007. He works as a software developer for Soundexchange, a non-profit royalty administration organization. A self-proclaimed metal snob, Martin loves bands that push into unexplored territory. He also writes about pop culture here.

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