Samantha Sirzyk – We Love DC https://www.welovedc.com Your Life Beyond The Capitol Thu, 21 Jan 2021 14:51:39 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.9 A We Love DC Interview: Lucas Furniture Design https://www.welovedc.com/2011/02/11/a-we-love-dc-interview-lucas-furniture-design/ https://www.welovedc.com/2011/02/11/a-we-love-dc-interview-lucas-furniture-design/#comments Fri, 11 Feb 2011 20:00:24 +0000 http://www.welovedc.com/?p=62881

Nathan Lucas of Lucas Furniture Design.

Each pi…

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Nathan Lucas of Lucas Furniture Design.

Each piece of furniture tells a story.  Some stories may be more romantic than others, while the majority of stories are never told at all.  I am not saying that my antiqued wooden chest talks to me at night about its feelings, however, I do sometimes find myself wondering about the life it lead before I salvaged it from a junkyard. Furniture plays a much larger role in our lives than we care to notice.  Without it, we feel bare, but with it, we are provided with numerous opportunities to personalize our space – a behavior that all humans, in one way or another, engage in.  We personalize our space as a way to inform outsiders about who we really are (or who we we want you think we are) inside. This is why we are always in the lookout for new furniture pieces. When it comes to nice furniture, I always tend to visit the Furniture & Mattress Store for inspiration.

As society continues to place more emphasis on sustainability, the field of custom furnishings has become a growing facet.  I had the unique opportunity to meet Nathan Lucas of Lucas Furniture Design to find out more about his labor of love in DC.

Wedding Present for my Brother, Coffee Table in White Oak and Unknown Species with Ebony Inlay, Lucas Furniture Design.

We Love DC:  What is Lucas Furniture Design?

Nathan Lucas: Lucas Furniture Design is a woodworking studio offering custom furniture, cabinetry and art/design services buy similar products at https://dumonds.com.

WLDC:  What makes your furniture collection stand out amongst the rest?

NL: The thing that I feel sets my work apart from the rest, or that I have been told, is the attention I put into small details.  Every little edge is specially hand-planed or sanded, so that it feels good to touch.  I also have access to wood suppliers who salvage urban trees that were blown down in storms, or cut down to disease.  Not only is this the  “greenest” material I have found, but I also find that it has more character than big forest wood.

WLDC:  What is your process?

NL: There are a few different processes I utilize when designing. In custom work, a piece is made to fit a specific space or function, so we work from fixed dimensions. This process will go from thumbnail sketches to a scale drawing and sometimes to a computer rendering. Other times, great pieces have come from a five-minute sketch and whatever materials are on hand at the time. When working organic there is usually no sketch, the idea is to work the wood in harmony with its existing lines.

WLDC:  Who are your favorite designers (local, national, historical) – how do they inspire you?

NL: My favorite designers are the artists out there who are pushing their style forward with determination, to do something new in a time when it seems as though its all been done before. Historically speaking, true masters such as James Krenov and George Nakashima will never go out of style.

Detail of Waterfall Ends, Lucas Furniture Design.

WLDC: If you could only have one piece of furniture – what would it be and why?

NL: If I were to have only one piece of furniture, it would have to be a very sturdy large coffee table with drawers and shelves for storage.

WLDC:  What, in your opinion, is the biggest mistake people make when purchasing furniture?

NL: My advise on furnishing your home is to buy the best you can afford. If you can afford custom or high end, than go for it. If you are on a budget, then buy used from online posts and flea markets. Or even hit your local ally because you could end up finding that chair you needed. Most old furniture is superior in quality when compared to the mass produced stuff out there today. Furniture should last for years and not be disposable. If you know someone who is knowledgeable, take them shopping with you.

WLDC:  What about DC excites you?

NL: DC is exiting because it has so many museums and different cultures to experience. It is a good place to gain a bit of world perspective on a daily basis.

D&M Modern Kitchen, Lucas Furniture Design.

WLDC:  Where do you go to find inspiration in DC? Does that translate into your work (if so, how)?

NL: A trip to the Renwick Gallery to see works by Sam Maloof and Wendell Castle always make me want to step up my game.

WLDC:  What are your favorite furniture stores in the DC-area?

NL: I can’t say that I have a favorite furniture store in DC right now, being that I usually make my own furniture. However, in the future, I would like to find a store or gallery to represent my work, so most likely then I will have a favorite.

WLDC:  What are you working on now? Do you have any new projects?

NL: My main project right now is setting up a new shop space in Laytonsville MD. After that, I have some custom projects in planning.  Furthermore, I am always working on my own furniture/art line. I would love for my work to become a concept for a gallery show.

D&M Modern Kitchen, Detail of Reconstituted Masacar Ebony, Lucas Furniture Design.

WLDC:  Do you have any advice for an aspiring furniture designer?

NL: My advise to aspiring furniture designers is to work with an established professional after design school or intern between semesters. Making sure you understand how to build an object is essential to the design phase, and you will pick up some business knowledge.  As with any form of art, even the most talented do not usually reach their true potential until investing at least ten years in your trade.

WLDC:  Where can someone purchase your creations?

NL: To inquire about commissioning a piece or purchasing existing work visit my website at lucasfurnituredesign.com.

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We Love Arts: Win Tickets to Spencer Finch https://www.welovedc.com/2010/12/14/we-love-arts-win-tickets-to-spencer-finch/ https://www.welovedc.com/2010/12/14/we-love-arts-win-tickets-to-spencer-finch/#comments Tue, 14 Dec 2010 16:00:19 +0000 http://www.welovedc.com/?p=57897

Spencer Finch, Passing Cloud, (394 L Street NW

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Spencer Finch, Passing Cloud, (394 L Street NW, Washington, D.C., July 7, 2010), 2010, dimensions variable. Fluorescent light fixtures and lamps, filters, monofilament, and clothespins. Courtesy of the artist and Galerie Nordenhake, Berlin. Photo: Chan Chao.

“I see the President almost every day, as I happen to live where he passes to or from his lodgings out of town…. I saw him this morning about 8 ½ coming to business, riding on Vermont avenue, near L street…. Mr. Lincoln on the saddle generally rides a good-sized, easy going gray horse, is dress’d in plain black, somewhat rusty and dusty, wears a black stiff hat, and looks about as ordinary in attire, &c., as the commonest man…. I see very plainly Abraham Lincoln’s dark brown face, with the deep-cut lines, the eyes, always to me with a deep latent sadness in the expression.  We have got so that we exchange bows, and very cordial ones.”

–       Walt Whitman, “ Abraham Lincoln,” No. 45 (August 12, 1863), Specimen Days in Prose Works, Philadelphia:  David McKay, 1892, p. 43.

Spencer Finch, Open Cloud (64 Ways of Looking at a Storm Cloud, after Constable), 2010. Fluorescent light fixtures and lamps with filters and welded aluminum structure, 192 x 156 x 156 in. Courtesy of the artist and Rhona Hoffman, Chicago. Photo: Denny Henry.

In the summer of 1863, poet Walt Whitman and President Abraham Lincoln crossed paths.  Even though Whitman had never actually met the President, he truly believed that they shared a personal bond.  A relationship defined by human nature’s yearning for a connection.  And with President Lincoln’s undeniable charisma and accessibility, it was most likely a relationship most of his constituents believed they boasted as well.  Although years have passed, and the President now rides a limousine named ‘The Beast’ instead of “gray horse”, the attraction that continues to draw many visitors to DC today is the prospect of sharing a single moment in time with their magnetic leader.

NOW at the Corcoran is the museum’s answer to ramping up the context of their historical collections.  “As a contemporary art museum, it is a natural place for thinking about new art, making new art, and displaying new art, and that is what the NOW program is all about,” says Sarah Newman, Curator of Contemporary Art.  For the series of exhibitions, the museum will present new and site-specific work by emerging and mid-career artists.

NOW at the Corcoran’s inaugural exhibition presents new work by artist Spencer Finch. Finch could easily be classified as a scientist, in addition to artist, because his body of work most often sits at the intersection between these two professions. He is best known for his investigation of the elusive, attempting to reconstruct an obscure experience or sensation, while at the same time openly recognizing the hopelessness of the endeavor.  In My Business, With the Cloud, Finch attempts to “make something solid out of air, and explores the nature of our desire to do so”, much like that of the romantic relationship explored above.  He studies everything from NASA satellite imagery to atmospheric patterns, and represents his findings through abstract and eye-catching paintings, photographs, and installations.

Passing Cloud, the installation Finch created specifically for the Corcoran’s Rotunda, attempts to capture a brief moment in time through representation of a passing cloud. As a site-specific installation, Finch replicates the light and shadow of a passing cloud at the corner of Vermont Avenue and L Street on August 12, 1863, the spot at which Whitman waited and watched the President ride by.  Using theater gels, crumbled into cloud-like forms, Finch portrays an intangible concept through the most mysterious matter of them all.  The clouds in the sky will always keep moving, just like the moments that define our lives.

Both the aesthetics and historical context of the installation makes it quite intriguing, one that any Washingtonian would appreciate, however, the conception behind Finch’s work may not sit well with everyone. The desperation surrounding the artificial cloud is enough to turn any optimist into a pessimist.  Yet, no matter how you full or empty you see your glass, one thing is for sure, Spencer Finch is truly fascinating.

Spencer Finch will be giving a lecture on his work at the Corcoran Gallery of Art this evening, December 14th, at 7 p.m.

The Corcoran Gallery of Art is giving away two FREE tickets to one lucky We Love DC reader.  To enter, just leave a comment on this post by 3:00 p.m. today! The winner will be notified shortly after.

To purchase your own tickets please click here.

My Business, With the Cloud will close on January 23, 2011; however, the rotunda installation will continue to be exhibited through the month of February.

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A We Love DC Interview: Amy Morton of Morton Fine Art https://www.welovedc.com/2010/12/10/a-we-love-dc-interview-amy-morton-of-morton-fine-art/ https://www.welovedc.com/2010/12/10/a-we-love-dc-interview-amy-morton-of-morton-fine-art/#comments Fri, 10 Dec 2010 20:00:29 +0000 http://www.welovedc.com/?p=57822
*A Pop-up Project, Pretty Little Things, 2010.

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*A Pop-up Project, Pretty Little Things, 2010.


Since art appreciation and collection has historically been considered a past-time saved only for the affluent and rich, it is no surprise that a fine art gallery can sometimes be an intimidating place to enter.  However, a new take on the art gallery in DC, called Morton Fine Art (MFA), will challenge every preconceived notion you may just have about the art world.  Morton Fine Art is an art hybrid – one part traditional art gallery and one part, well, one part anything but traditional.  This month, MFA is presenting Pretty Little Things, a jewelry exhibition, as part of their on going and super successful exhibition concept called *A Pop-up Project.

We Love DC had the opportunity to talk with the founder and owner of MFA, Amy Morton, about Pretty Little Things, DC, and what art currently hangs on her living room wall.
We Love DC:  What is Morton Fine Art?

Amy Morton: Morton Fine Art is a curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. The model is meant to provide accessibility to all levels of fine art collectors through a comfortable and approachable environment.  MFA offers collectors access to new emerging and established contemporary artists, as well as affordable custom art service packages for placing and installing artwork.  MFA also curates temporary art exhibitions outside of MFA’s permanent gallery space, known as *A Pop-up Project, for public and corporate display

WLDC:  What inspired you to develop the curatorial group?

AM: The fine art market has changed in recent years.  The idea of a forming a gallery based on a hybrid business model allows MFA a new flexibility that seems to parallel the market demands, both from the perspective of the artist and of the collector.  MFA’s model combines the sale and display of art of a traditional art gallery; the mobile and temporary display of art of an art fair; the educational and curatorial aspect of a museum; and the professional advice and services of an art consultant. Being a curatorial group rather than a traditional art gallery allows us to be very creative, as many different projects fall within our scope.

WLDC:  What sets Morton Fine Art apart from other art galleries?

AM: MFA is entirely dedicated to the belief than anyone can become an art collector.  Our model is accessible and comfortable; we strive to take the extra time to get to know our collectors and to demystify some of the intimidating traits usually affiliated with fine art.  The model is meant to empower the collector, so we also offer a series of affordable art services including Sketchbook, a long-term art placement and collecting plan for a new collector; and Refresh, an immediate solution for placing existing artworks with the guidance of a curator and professional art installer.  Additionally MFA’s model differs from other art galleries with the inclusion of *A Pop-up Project, temporary art exhibitions that occur outside the Florida Ave gallery space.

WLDC:  What is Pretty Little Things?

AM: Pretty Little Things is a perfect example of what makes MFA different!   When considering a holiday show we opted to go with Pretty Little Things in lieu of a small works fine art show.  Pretty Little Things is a wearable art show featuring the work of five nationally known artisan jewelers, each working in a different medium: glass, legos with diamonds, stones, leather and industrial materials.  MFA is currently scattered with all kinds of delicious little objects priced under $1,000.  Wearable art is easy for people to relate to and covet.

WLDC:  If you could own any one piece of art, what would it be and why?

AM: Oh, I am addicted to collecting art!  I’ve had an art payment as one of my monthly bills for six years straight, so I am always buying something! I own pieces by nearly every artist that I represent, and if I don’t have one in my personal collection yet, I am saving for it!

WLDC:  What do you currently have hanging on your living room wall?

AM: I just counted twelve artworks currently hanging on my living room walls. I have an eclectic mix of abstract, figurative and landscape pieces in a variety of mediums and sizes.  Most of my artwork is contemporary, but I also have a few antique paintings of my hometown that I inherited from my grandmother.  I grew up in a house that was hung salon style, so I’m not afraid of creating a dynamic and mixed aesthetic experience.  Plus, I still interact with each piece in my collection daily, so my artwork will travel my life with me. I love it more than any other material possession!

WLDC:  What do you think is the biggest mistake people make when selecting a piece of art for purchase?

AM: I think sometimes new collectors can be apprehensive about embracing their own tastes.  I believe in buying what you love, living with it and honoring it. Oftentimes seemingly difficult imagery is better understood in the context of the artist’s intention, and that’s when a new level of collecting can begin – once the collector is liberated from the purely decorative voice.

*A Pop-up Project, Pretty Little Things, 2010.

WLDC:  What is the biggest advice you can give to the aspiring collector?

AM: Explore your tastes, look at everything. Exposing yourself to artwork helps to establish your tastes. Over time you will notice continuity in the type of artwork you like. Also, evaluate your collecting mission: is it purely something to enjoy and integrate as a decorative accent to a space, or is it a piece you will value for a lifetime and can’t live without?

WLDC:  What about DC excites you?

AM: DC is a great city!  I’ve been fortunate to call this city home for seven years. MFA is in lower Adams Morgan at the intersection of 18th and U, a neighborhood that exemplifies all that I love in DC – diversity, cultural appreciation, and a rich history with lots of delicious cuisine!

WLDC:  Where do you go to find inspiration in DC?

AM: Inspiration is everywhere and things take my attention in new ways every day. Even the same road offers something new if you walk it instead of drive it and vice versa.  The city is full of inspiring things just waiting to be noticed!

WLDC:  Who are some of your favorite local artists and why?

AM: I am devoted to the work of both Rosemary Feit Covey and Laurel Hausler; I have multiple pieces by both artists in my private collection and feel an affinity to both women’s artistic vision. If Baltimore counts as local, then I’ll also include Hadieh Shafie, whose stunning work is on display in MFA’s current *a pop-up project exhibition, “Ritual: Form, Script, Gesture”.  All these artists have strong, unique, female perspectives.

WLDC:  What are you working on for the future? Do you have any new projects?

AM: Lots of new projects!  This model is very high energy, so there is never a dull moment.  Coming up in February, MFA will host Death of the Fine Art Print, a mixed-media exhibition by artist, Rosemary Feit Covey. I also have a dynamite roster of nationally renowned artists for the Spring 2011 *A Pop-up Project.  The exhibition will be figurative in nature and tells a unique and powerful American story. Stay tuned!

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We Love Arts: Carolyn Sewell Interview https://www.welovedc.com/2010/11/26/we-love-arts-carolyn-sewell-interview/ https://www.welovedc.com/2010/11/26/we-love-arts-carolyn-sewell-interview/#comments Fri, 26 Nov 2010 14:00:45 +0000 http://www.welovedc.com/?p=56496

You can’t walk down the street without se…

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You can’t walk down the street without seeing a sign.  Signs are there to inform or instruct you, to get you to stop, go and yield to pedestrians. But what good do these signs do if they are difficult to read, provide an unclear message, or get lost in the peripheral?  Graphic design was established as a result of these glaring errors, and developed a universally recognized profession in which people are trained to convey a message, to a target audience, while following the principles of design.  However, the profession has outgrown the average political advertisement and cereal box, and now is an appreciated art form.

Award-winning designer and blogger, Carolyn Sewell, displayed her yearlong project Postcards To My Parents at The Fathom Gallery this September. Every day from July 23, 2009 to July 23, 2010 she sent hand-drawn postcards to her parents with messages of love and adoration, snarky quotes from friends, family and television, and the occasional drawing of a gnome.  Sewell currently resides in Arlington, VA and shares creative (and sometimes not so creative) graphic design with the masses on her blog Pedestrian Typography.

We Love DC: What is your focus as a designer? What is your work all about?

Carolyn Sewell:  As a designer, my focus depends on my client. If the client is myself/friend/family, then I push for hand-drawn type and quirky copy. With paying clients I try to push my personal style, but ultimately it comes down to what they want. And if a gross stock photo on a blue background will get me paid, then so be it. A girl’s gotta eat, right?

WLDC:  What inspired you to create the collection, Postcards To My Parents?

CS: Quite simply, fear. A recent death in the family really shook me up, triggering irrational thoughts about losing my parents. So on the plane ride back from the funeral I had an idea, but I needed a symbolic start date. So I waited until their wedding anniversary on July 23, 2009, made them a card and put it in the mail. And then repeated this for the next 364 days.

WLDC: What makes this collection stand out?

CS: I think in a digital world, the hand-made can’t help but stand out. And that love letters are a dying art (and postage is so expensive) makes a daily postcard seem rarer than it should be.

WLDC: If you could be hired to design anything, what would it be and why?

CS: It’s gonna sound cliche, but I’ve always wanted to design for a band. Whether it’s a concert poster or album package or sticker I think the creative collaboration would be challenging and fantastic. Plus I love free tickets.

WLDC: What do you think is the biggest typography faux paus? What is your favorite font?

CS: The abundant misuse of quotation marks makes my hair stand on end. A car shop tagline that says they’ll “fix” your car is not a good sign. As for favorite font, there are many great ones, but even more crappy ones. I’m always attracted to the font that doesn’t exist—someone’s handwriting. I crave the imperfections, the wobbles and goofs.

WLDC: Do you use a MAC or a PC?

CS: Mac.

WLDC: What was the biggest advice you can give to an aspiring designer?

CS: Don’t put so much pressure on your 9-to-5 job being what inspires you. It’s exhausting. Instead, stop talking about the things you love and start making the things you love. You’ll live longer, I promise.

WLDC: What inspired you to create your blog, Pedestrian Typography?

CS: I have so many childhood memories of family car trips, listening from the backseat as my parents pointed out humorous or misspelled signs. For me, the looking never stopped. So after I got a digital camera one Christmas I decided to make it my New Year’s Resolution to post a photo a day, which I kept up for 2 years. Although I still take photos, I don’t post them as regularly as I used to.

WLDC: What does blogging mean to you? How has it influenced you and/or your work?

CS: Ever since I started working for myself, out of my home, I have become a bit of a blog addict. Right now my Google Reader has me subscribed to 300+ blogs. It’s my connection to the outside world, keeps me current. It’s extremely hard to be innovative in a vacuum.

WLDC: What about DC excites you?

CS: I think DC’s best kept secret is that it’s not all suits and marble. There’s a group or activity for everyone, and if you stay here long enough you’ll find it. And that’s exciting.

WLDC: Where do you go to find inspiration in DC?

CS: I’m a sucker for art and design lectures, so I volunteer at the Corcoran Gallery of Art in order to attend their lectures for free. I love nothing more than to listen and take sketchnotes that I can later refer to for inspiration. I’m also a total nerd who likes to plop down on the floor of a bookstore, surrounded by art and design books.

WLDC:  Does DC have a most graphically challenged and/or graphically beautiful neighborhood?

CS: I would say H Street has the most amazing collection of storefront signs, and U Street has the best collection of graffiti.

WLDC: What are you working on now? Do you have any new projects?

CS: In addition to my client work, I’m also working on a Postcards To My Parents book, as well as building a screenprinting studio. I have my eyes on you Crafty Bastards.

WLDC:  Where can I purchase your work?

CS: As of right now, nowhere, but look for some new t-shirts of mine on New Standard very soon. And once my studio is up and running, I plan to sell my screenprinted items on Etsy.

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Apartment Fire on Rhode Island, Injuries Reported https://www.welovedc.com/2010/11/02/apartment-fire-on-rhode-island-injuries-reported/ https://www.welovedc.com/2010/11/02/apartment-fire-on-rhode-island-injuries-reported/#comments Tue, 02 Nov 2010 22:04:05 +0000 http://www.welovedc.com/?p=54471

Photographs for We Love DC.

A fire has occurred …

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Photographs for We Love DC.

A fire has occurred on the upper floors of a 10-story building on the 1400 block of Rhode Island Avenue in Northwest (Update as of 5:30 p.m. – the apartment is the Windsor House at 1444 Rhode Island Ave. NW).  As of 5:15 p.m., 10-plus fire trucks have gathered in the area, in addition to numerous police cars and ambulances.  People were seen on stretchers, but the extent of injuries is unclear at this time.

Traffic is impacted in the area. Rhode Island is closed between 14th and 15th NW and 15th is closed from Massachusetts to Rhode Island.  It is also noted that 14th Street NW is open going north, but closed off headed south.

Watch this post and our twitter feed for updates.

Update as 0f 10:23 p.m.@dcfireems reports via twitter at 9:55 p.m., 21 residents displaced, EMS transported 6 — three civilians and three firefighters. Incident is under investigation but appears to be accidental.

Update as of 8:30 p.m. – 15th street NW remains closed from Massachusetts to Rhode Island, and Rhode Island between 14th and 15th NW.  Fewer fire and EMS vehicles on-site.

Update as of 7:23 p.m. – @dcfireems reports via twitter at 7:14 p.m., EMS transported 5 — including three civilians and two firefighters.

Update as of 7:03 p.m. – Area still blocked.  Traffic continues to be disrupted.

Update as of 6:04 p.m. – According to fire spokesman Pete Piringer to NBC Washington, several dozen people needed to be evacuated or needed assistance exiting the building. Several people were injured — two seriously — but none of the injuries is believed to be life-threatening.

Photograph of 15th and Rhode Island NW.

Photograph of visible damage.

See more photographs and eyewitness accounts here.

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Giveaway: Worn Magazine is Back! https://www.welovedc.com/2010/10/18/worn-magazine-is-back/ https://www.welovedc.com/2010/10/18/worn-magazine-is-back/#comments Mon, 18 Oct 2010 19:00:37 +0000 http://www.welovedc.com/?p=52898

All Photographs by Max Cook for We Love DC.

Peopl…

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All Photographs by Max Cook for We Love DC.

People say that bigger does not always mean better.   However, in the case of Worn Magazine’s second issue – this statement could not be any less true.  With 52 pages of glossy, DC-centric fashion, 60-plus original photographs, and the introduction of contributing writers, Worn magazine is bigger, better, and, most definitely, brighter than ever.

With the success of the inaugural issue, Worn Magazine has continued to deliver on their promise – “to bring greater awareness of local fashion and art to the District and to the nation” – by making the focus of their fall/winter 2010/2011 issue to be on the artists who are trying to make it in DC.   Nicole Aguirre, Worn’s Editor-in-Chief explains it best in her editor’s letter.

“DC is no longer just a place to come to work, the artists on our pages are putting the real DC on the map.  They are pushing boundaries, reinventing old concepts, and making sacrifices every day for what they love.  They believe in themselves and in their work more than ever.  And we believe in them.”

By the look of the new issue and the crowd that attended the magazine’s Preview Party Saturday night at Alchimie Forever in Georgetown, it seems as though everyone believes in Worn too.

In honor of their second issue, Worn Magazine is giving away two tickets to their Issue 2 Launch Party to one lucky We Love DC reader.  To enter, just leave a comment on this post by noon tomorrow.

The Issue 2 Launch Party will be at U Street Music Hall this Tuesday from 8pm-1am, and with over 10 DJs and the promise of special guests, this is a party you wont want to miss.

You can purchase tickets and go behind the scenes of Issue 2 at wornmagazine.com.

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Antonio Pio Saracino at Industry Gallery https://www.welovedc.com/2010/09/27/antonio/ Mon, 27 Sep 2010 12:30:54 +0000 http://www.welovedc.com/?p=50383

Cervo Chair.  Antonio Pio Saracino, courtes…

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Cervo Chair.  Antonio Pio Saracino, courtesy Industry Gallery.

Industry Gallery is currently exhibiting New York-based Italian designer and architect Antonio Pio Saracino‘s first solo U.S. exhibition.  The exhibition is called Nature / Data and will run through October 30th.  In addition to eleven different chair designs, Nature / Data premieres two large-scale models of “triumphal arches”, representing Italian emigration to North and South America.

Saracino is a four-time winner of the Future Furniture Design Competition sponsored by Interior Design magazine, designed the award-winning Tibi boutique in New York’s Soho, and was named one of ARTnews magazine’s 25 trendsetters.

Industry Gallery is located at 1358 Florida Avenue, NE, Suite 200.  For more information call 202-399-1730.

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Fiona Tan Exhibit Opens https://www.welovedc.com/2010/09/24/fiona-tan-exhibit-opens/ Fri, 24 Sep 2010 12:30:48 +0000 http://www.welovedc.com/?p=50377 Photo courtesy of
‘Sackler Gallery’
courtesy of &#

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Photo courtesy of
‘Sackler Gallery’
courtesy of ‘clio1789’

Seeing any exhibit at the Sackler Gallery is an inspiring experience, but seeing Fiona Tan’s first major U.S. exhibition at the Sackler Gallery is just phenomenal. The renowned contemporary artist will be on view at the Sackler Gallery September 25 through January 16, 2011 with Fiona Tan: Rise and Fall.  The artist will be showing a collection of video and photography, “exploring the individual’s place in a world increasingly shaped by global culture”.

The Arthur M. Sackler Gallery is located at 1050 Independence Ave, SW.  For more information contact 202-633-1000.  Admission is free.

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A We Love DC Interview: r:u https://www.welovedc.com/2010/09/23/residential-therapy-with-ru/ https://www.welovedc.com/2010/09/23/residential-therapy-with-ru/#comments Thu, 23 Sep 2010 13:00:09 +0000 http://www.welovedc.com/?p=50354

“u:board Sample”;  r:u, 2010

In …

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“u:board Sample”;  r:u, 2010

In December of 2009, I graduated from The George Washington University with a Graduate degree in Interior Design.  During my schooling I learned that it takes a lot of hard work to become an Interior Designer.  Just having phenomenal taste and being really, really good at tearing out magazine spreads doesn’t cut it anymore.  Now you have to be able to sketch, compose sections, build models, create 3-D renderings, and even pass your NCIDQ exam if you want to be taken seriously.

When I heard about the DC-based design team of residents:understood, I just knew that I had to get them on WLDC.  Not only can the firm do all of the above, but they also do it in a really unconventional way.  I caught up with the three principles of residents:understood, Kiera Kushlan, James Wall, and Jessica Centella, and got all of the insider tips for how to create the perfect “personality-driven design” while living in D.C.

We Love DC: What is residents:understood?

residents:understood: residents:understood is a firm focused on providing personality-driven residential design solutions. The three of us met while in graduate school studying Interior Design at the University of Florida, where much of our work focused heavily on researching the user’s wants and needs. And that’s where it all began – after school we knew we wanted to challenge the traditional approach to interior design and more closely focus on and understand the residents, thus inspiring the name residents:understood!

WLDC:  What inspired you to create a design firm that focuses on personalitydriven design solutions?

r:u: We felt that residential designers tend to put too much of their personalities and tastes into their clients’ designs. We wanted to go against that grain, creating spaces that directly reflected our clients’ personality and lifestyle. We felt that there was a huge opportunity in DC because so much of the design seen here is traditional. We sensed a strong desire for another perspective, and so far have received great feedback for our unique approach.

To give you a better idea of how we do what we do, our design process begins with an in-depth consultation where we focus on learning as much about the client as possible. We ask our clients a broad range of questions ranging from “Who is your favorite musician?” to “Where to do shop for clothing?” The next step is to take that information and create a u:board – a custom collection of images that represents the client’s personality. The u:board then becomes the driving force for how we plan and design a space.

This is a u:board sample [see picture above] from one of the projects we’re currently working on. This particular client has an affinity for great beer, exotic cuisines, and good times with friends. He wanted to renovate his dining room so that it would reflect his modern design aesthetic and create a place to enjoy food and friendship. Below is an image of the client’s space prior to the renovation. The images that follow are some of our early in-process renderings of the new space, the second being a closer detail of the custom bar we are designing for the client. We’ll be documenting the entire renovation process on our blog so our readers will be able to see the how the design evolves into the final solution.

“Before Picture”;  r:u, 2010

WLDC:  Are these personalitydriven design solutions based on applied scientific findings or readily accepted design principles?

r:u: We were taught that great design is research-based and built upon solid principles that incorporate elements of color, pattern, texture, scale, hierarchy and order. Our personality-driven design process seeks to integrate these elements in a way that creates a strong sense of place for the homeowners so they see a direct reflection of themselves in their space.

WLDC:  What would be your best design tip/advice for the apartment dweller, the firsttime home-buyer, and the college student?

r:u: For the college student: HAVE FUN! Now is the time to be experimental – be bold, and be yourself. Try different designs on for size; if you’ve always wondered what fuchsia walls would look like, go for it! You’ll leave college not only with a degree, but a good sense of your design style that can translate to the “adult” world!

For the apartment dweller: focus on pieces that are appropriately scaled for your space. Apartment living is tight, and a large over-stuffed sofa can kill the space. It’s also very important to remember these pieces will be moved often and need to be versatile – your bedroom nightstand may sit beside your couch in your next apartment so try and select pieces that will work in any room.

For the first-time home-buyer: Invest in pieces that last. Focus on classic design with a neutral base; you can easily swap out accessories to suit your seasonal moods.

“Rendering 1”; r:u, 2010

WLDC: What, in your opinion, is the biggest residential design faux pas?

r:u: Trying to recreate a “look” from a catalogue. Those designs are meant to appeal to a very broad demographic and often end up being far too boring or overly “matchy”. Instead of picking a page out of a catalogue, try going shopping and picking one statement piece you love and create a room around that!

WLDC:  What about DC excites you?

r:u: DC is in a state of flux. There is a young energetic vibe here and a budding design scene. People are excited to try new things and move away from the traditional designs. It’s a very transformative time for DC, which is very exciting for a young design firm like ours.

“Rendering 2”; r:u, 2010

WLDC: Where do you go to find inspiration in D.C. for your design solutions and how does that translate into your work?

r:u: There is pretty much a neighborhood for every personality in the DC metro area. Just walking around the different neighborhoods draws inspiration—no matter how often you walk down a street you can always count on bumping into hidden treasures.

WLDC: What are your favorite places in D.C. to find unique/special items for the home?

r:u: The whole U Street corridor is overflowing with some great stores that cater to a variety of budgets. Some of our favorites are Sukio, RCKNDY, and Miss Pixie’s (Insider Tip: New items appear on Miss Pixie’s floor every Thursday!). Also, Eastern Market on the weekends has some great finds for the home.

To learn more about residents:understood you can read their blog, follow their Twitter feed, or friend them on Facebook.

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NYU DC? https://www.welovedc.com/2010/09/23/nyu-dc/ https://www.welovedc.com/2010/09/23/nyu-dc/#comments Thu, 23 Sep 2010 12:30:12 +0000 http://www.welovedc.com/?p=50394

NYU-DC, Facade Rendering.  Courtesy of Hicko…

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NYU-DC, Facade Rendering.  Courtesy of Hickock Cole Architects.

A lot of universities’ have academic hubs in D.C., but none have one quite like this.  This month, Hickock Cole Architects will break ground on a brand new academic center for New York University on L Street, NW.  NYU’s new Constance Milstein and Family Academic Center, also known as NYU-DC, will be a 12-story building with academic space and six floors of dormitories.

The new building is also aiming for LEED Gold.

NYU-DC will be located at 1307 L St, NW.

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Salahi No Longer Housewife https://www.welovedc.com/2010/09/21/salahi-no-longer-housewife/ https://www.welovedc.com/2010/09/21/salahi-no-longer-housewife/#comments Tue, 21 Sep 2010 14:30:30 +0000 http://www.welovedc.com/?p=50112 Photo courtesy of
‘wine and trash tv’
courtesy of &#

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Photo courtesy of
‘wine and trash tv’
courtesy of ‘staceyviera’

According to the New York Post,  if Bravo’s “Real Housewives of D.C.” is picked up for a second season, Michaele Salahi will not be included in the cast.

Michaele Salahi and her husband Tareq are best known for crashing the 2009 U.S. state dinner at the White House.

Apparently, the Salahi duo are not well liked…

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Spa Week is Back! https://www.welovedc.com/2010/09/16/spa-week-is-back/ https://www.welovedc.com/2010/09/16/spa-week-is-back/#comments Thu, 16 Sep 2010 18:00:48 +0000 http://www.welovedc.com/?p=49749 Photo courtesy of
’81/365: And My Flippy Floppies 3/22/10

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Photo courtesy of
’81/365: And My Flippy Floppies 3/22/10′
courtesy of ‘@heylovedc’

Most people have a favorite time of year.  Maybe you love the week of Thanksgiving, or, perhaps that sweet space between Christmas and New Years Eve.  But for me, nothing quite compares to Spa Week.  Yes friends, you heard me, Spa Week.  An entire seven days dedicated to simply giving  people (me) the opportunity to relax at a discounted price.

Spa Week in D.C. will be celebrated October 11-17 and you will need an appointment to join in the fun (hence why I am sharing this news with you now, leaving plenty of time to make your calls).  Participating D.C. spas are listed here and all treatments will cost $50.

The 60-min pedicure at Elizabeth Arden’s Red Door Spa in the Willard is calling my name.

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Behind the Design: Westend Bistro https://www.welovedc.com/2010/09/15/behind-the-design-westend-bistro/ https://www.welovedc.com/2010/09/15/behind-the-design-westend-bistro/#comments Wed, 15 Sep 2010 19:00:41 +0000 http://www.welovedc.com/?p=49397 Photo courtesy of

courtesy of ‘Chris Rief aka Spod

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Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

“When I came on board with the project, the design aspect was quite well advanced, however I participated towards the end in making sure we created a concept that was casual, friendly, warm and high energy, keeping in mind we were building a neighborhood bistro.”   – Eric Ripert on the design of Westend Bistro, exclusively for We Love DC

Westend Bistro by Eric Ripert, opened in 2007 at the Ritz-Carlton, Washington D.C., is not your typical, often lackluster hotel restaurant.  Apart from the exceptional service – synonymous with the Ritz-Carlton brand, one would never guess that they were dining amongst hotel guests and visitors.  Westend Bistro feels like that friendly, neighborhood spot.  The place you know you can always count on – with phenomenal food and a warm, welcoming atmosphere. 

Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

Although I could go on and on about Culinary Director Eric Ripert’s uncomplicated menu, full of signature dishes with a penchant for local ingredients, this story is truly all about the bistro’s design.  However, these two facets of the dining experience seemingly sing to each other at Westend Bistro, with a menu that resonates through each built detail.   A harmonious blend of culinary and design delight.    

The bistro’s color palate of ocher, gold, and honey – with touches of cherry red and hints of decadent brown – bounces from plate to plate and weaves effortlessly throughout the bar and dining room.  The amber that glows from the olive oil garnishing the tuna carpaccio is much like that of the shadows cast upon guests’ faces from luminous light boxes; both play a role of equal importance in the overall success of the dining atmosphere. 

Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

Adding to the restaurant’s success is the usage of repetition.  This ordering principle seems to have been heavily relied upon during the space planning process and is evident all the way from the repetitive, raised banquettes and cozy alcoves to the rhythmic, wood-trimmed columns.  The ceiling plane, also repetitive in occurrence, may lack acoustical protection due to its vaulted nature; however, it works well in this instance as the trickle of friendly noise helps to create the desired vibe and energy. 

Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

The elliptical-shaped marble bar adds a bit of flair to the somewhat safe design.  Although I have seen many uniquely designed bars before, what makes this one stand out amongst the rest is that it does not go overboard.  So often those interesting bars loose their appeal as soon as they begin to change colors or glow-in-the-dark.  The gold leaf wall sculpture bordering the bar provides added dimension, serving as an understated accessory. 

Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

It is no surprise that the DC-based architecture duo Adamstein & Demetriou are responsible for the design of Westend Bistro.  Serving as the city’s resident restaurant design authority, the firm has also found success at local favorites such as Zaytinya, Poste, and Bistro Bis.  Adamstein & Demetriou’s creations are always thoughtful and well done.

Photo courtesy of

courtesy of ‘Chris Rief aka Spodie Odie’

The ambience at Westend Bistro is that of casual refinement, teetering between a traditional restaurant, hip lounge, and of course, relaxed café.   The benefit of possessing this chameleon-like persona is that one space can essentially meet all of your needs without ever being too much of a good thing.  Westend Bistro truly has the perfect recipe. 

Westend Bistro is located at 1190 22nd Street, N.W.  Washington, D.C. 20037. Closest Metro stop: Foggy Bottom/GWU (Orange/Blue Lines). For more information call (202) 974-4900‎.

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Light Within at National Cathedral Postponed https://www.welovedc.com/2010/09/15/light-within-at-national-cathedral-postponed/ https://www.welovedc.com/2010/09/15/light-within-at-national-cathedral-postponed/#comments Wed, 15 Sep 2010 19:00:16 +0000 http://www.welovedc.com/?p=49558 Photo courtesy of
‘National Cathedral 1’
courtesy

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Photo courtesy of
‘National Cathedral 1’
courtesy of ‘logan.brown’

The Washington National Cathedral has just released a statement that their much anticipated event, Light Within has been postponed until 2012.   The press release cites “concerns about safety issues, parking and visitor capacity” for why the event will be delayed. 

Light Within was previously scheduled to take place on November 12 and 13 of this year, featuring Swiss lighting artist Gerry Hofstetter.

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Afternoon Video Delight https://www.welovedc.com/2010/09/15/afternoon-video-delight/ Wed, 15 Sep 2010 18:45:24 +0000 http://www.welovedc.com/?p=49532 I always need an afternoon pick me up.  Some days …

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Click here to view the embedded video.

I always need an afternoon pick me up.  Some days it comes in the form of dark chocolate, but today it is all about this video.

NOW at the Corcoran’s inaugural exhibition presents new work by Spencer Finch.  This video gives you a peek into Finch’s magical world of perception and sensation.  Some trippy (and fascinating) stuff if you ask me.

The exhibit will be on display at the Corcoran Gallery of Art through January 23, 2011.

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D.C. Big Flea https://www.welovedc.com/2010/09/14/d-c-big-flea/ https://www.welovedc.com/2010/09/14/d-c-big-flea/#comments Tue, 14 Sep 2010 17:00:16 +0000 http://www.welovedc.com/?p=49381 Photo courtesy of
‘Georgetown Flea Market’
courte

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Photo courtesy of
‘Georgetown Flea Market’
courtesy of ‘InspirationDC’

Another opportunity for me to buy random crap – fantastic!

This time around, the event that will be sucking me in is the D.C. Big Flea Market.  The flea market will will run on Saturday and Sunday at the Dulles Exposition and Convention Center and will feature over 1100 unique booths. 

The chance that I will come home with at least one porcelain nicknack seems likely.  Which got me thinking.  If you could buy anything at the D.C. Big Flea, what would your one purchase be? 

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QVC Teams Up With Smithsonian https://www.welovedc.com/2010/09/13/qvc-teams-up-with-smithsonian/ Mon, 13 Sep 2010 13:00:22 +0000 http://www.welovedc.com/?p=49197

Photo Credit: Cheryl Stepanek

Tomorrow, QVC wi…

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Photo Credit: Cheryl Stepanek

Tomorrow, QVC will officially launch a new jewelry line inspired by the Smithsonian‘s gem collection at the National Museum of Natural History.  This is the first time that the Smithsonian has offered licensed products through a multimedia retailer. Gemologist Christine Webb of the gems and minerals department in the museum is scheduled to appear during the broadcast to present a wide-range of jewelry designed exclusively for QVC.

Prices will range from $65 to $950 and your baubles can be purchased on Tuesday, September 14th from 7 to to 9 p.m. (EDT) on QVC.

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D.C. Architecture Week https://www.welovedc.com/2010/09/13/d-c-architecture-week/ Mon, 13 Sep 2010 12:30:17 +0000 http://www.welovedc.com/?p=49193 Photo courtesy of
‘Downtown DC Architecture HDR’
c

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Photo courtesy of
‘Downtown DC Architecture HDR’
courtesy of ‘Mr. T in DC’

The Washington Chapter of the American Institute of Architects (AIA) began celebrating Architecture Week on Friday and will continue the party for a full 20 days.  You can join in the fun by attending one of the many great events planned, which will all honor the work of some of the country’s most visionary architects. And of course, you won’t want to miss the finale of the AIA D.C. celebration on September 30th which will be a sneak peak of the Jones Day law firm’s addition, located in the spectacular building designed by Pritzker-prize winner (2007) Sir Richard Rogers.

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Side by Side Opens at Phillips https://www.welovedc.com/2010/09/12/side-by-side-opens-at-phillips/ Sun, 12 Sep 2010 20:18:15 +0000 http://www.welovedc.com/?p=49202 Photo courtesy of
‘Man Experiencing Art’
courtesy

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Photo courtesy of
‘Man Experiencing Art’
courtesy of ‘Kevin H.’

Side by Side: Oberlin’s Masterworks at The Phillips Collection opened yesterday and will be on exhibit through January 16th. Twenty-five significant works, 24 paintings and one sculpture, from the collection of the Allen Memorial Art Museum at Oberlin are presented in conjunction with selections from the Phillip’s permanent collection.  Many of the featured works have not left the Allen in half a century, but have made the journey to D.C. for safekeeping while the Allen is currently closed for renovations.

Rare works by painters such as Paul Cézanne, Claude Monet, Mark Rothko, Peter Paul Rubens, and Jan van Eyck are displayed.

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Egg Drop https://www.welovedc.com/2010/09/07/egg-drop/ Tue, 07 Sep 2010 21:12:57 +0000 http://www.welovedc.com/?p=48384 Photo courtesy of
‘205/365’
courtesy of ‘Br

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Photo courtesy of
‘205/365’
courtesy of ‘BrianMKA’

I still remember being in the 5th grade when we had our class egg drop competition.  I spent days working on coming up with the most genius way to protect my baby, and ended up developing a ‘chic basket’ with a parachute.  Unfortunately, my egg didn’t make it in the final round and I lost to my arch-enemy. Oh, the Middle School woes.  But now, with The National Building Museum’s Egg Drop Family Workshop 2 I finally will have the opportunity for redemption. 

This program is part of AIA/DC’s Architecture Week and registration is required.

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