It’s the end of a great year, and the music writers of We Love DC- Mickey, Jonathan & Alexia have pulled together their respective top 10 favorite shows of 2012.
Mickey: This has been a great year for shows! For me, it’s been a return to old favorites. I caught a few acts that I’ve been into for most of my life and a few that became new favorites in the last 10 years. Interestingly, it wasn’t a big year for acts new to me although I did some promising new stuff.
Of my top 10 shows of 2012, I reviewed eight of them for We Love DC. I didn’t review two of them because they were out of town and I was quite busy! Without further ado, here in reverse chronological order then are my top 10 concerts of 2012.
1. The Faint
It’s become all the rage for a band to tour on the strength of a single album and to perform it in its entirety these days. Most of the time, we see that happen with bands celebrating the 20th or 25th anniversary of an album. But although the album is only about 10 years old, The Faint toured earlier this month on a reissue of Danse Macabre, a record that strikes a powerful chord and compels you to dance like crazy. And dance like crazy the audience did at a very full show at the 9:30 Club on Dec. 5. The album sounded as amazing as ever and The Faint even snuck in a new song, suggesting there is more to come from Nebraska’s favorite electronic sons.
It’s a great feeling when a band justifies your faith in them. And so it goes with Shiny Toy Guns at the Rock and Roll Hotel on Nov. 4. This stellar new wave band recently put out its third and best album, III, bouncing back strong after a temporary split with their female vocalist Carah Faye and a disappointing second album. The sold-out crowd welcomed the band back like old friends. (And Jeremy Dawson gave me the inside scoop on reuniting with Carah Faye.)
Few things are more amazing than an intimate show with one of your absolute favorite niche bands. Saint Etienne has captured a Europop sounds so fresh and invigorating that they surprisingly sound timeless and modern all at once. They captivated a large group composed of mostly men who came out to dance and fawn over Sarah Cracknell, the most modest of divas, when they played at U Street Music Hall on Oct. 25. Although I loved the actual show to bits, my experience was bittersweet as the lovely lady who introduced me to the band went to the show with someone else. As Saint Etienne knows, “Only love can break your heart!”