all photos by Patrick Onofre
Last week, my buddy Mickey McCarter loaned us his New Wave expertise to interview Andy McCluskey. Seemed only natural to ask him to review OMD’s show for us too.
Some things are worth the wait.
Andy McCluskey of Orchestral Manoeuvres in the Dark (OMD) reminded attendees at the 9:30 Club on Thursday that he and the band had not toured the United States in 23 years. Their return did not disappoint. The classic line-up of McCluskey, Paul Humphreys, Malcolm Holmes, and Martin Cooper showed the generation of bands that came and went in the intervening time exactly what was so exciting about marrying synthesizers to a guitar and calling it New Wave to begin with. A wildly enthusiastic audience at the nearly sold out show embraced not only the OMD classics but also the five new songs introduced live from the new album, “History of Modern”.
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all photos courtesy of The Musebox.
When it turned out that I would be unavailable to conduct this interview myself, the first person who came to my mind as the perfect pinch hitter for the gig was Mickey McCarter. By day, Mickey is a professional journalist, covering homeland security and military affairs for Homeland Security Today and Fox News. On nights and weekends, he is one of DC’s foremost experts on the New Wave and synthpop genres.
Orchestral Manoeuvres in the Dark, founded by UK songwriters Andy McCluskey and Paul Humphreys, led a synthpop revolution from the ‘80s through today in the United Kingdom, consistently charting in the UK top 30 with each of their 11 studio albums, including their very latest History of Modern. McCluskey alone kept the band’s name alive throughout the ‘90s until he and Paul Humphreys reunited for a successful return-to-form last year.
Now the band returns to the United States for the first time in more than 20 years, playing the 9:30 Club on Thursday, March 10. We Love DC caught up with synthpop virtuoso McCluskey recently to talk about Pretty in Pink, the new generation of synthpop musicians, and the sound of the future.
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