Late on a Sunday night, there’s a stark contrast between the cold, deserted DC streets and the cave of 8-bit fantasy I’ve emerged from. Anamanaguchi assaulted the packed Backstage at the Black Cat with strobe lights, pixellated animation, and their unique brand of electronic power-pop.
The last time I caught Anamanaguchi (for the 8-bit Alliance Tour last summer), the room wasn’t even at half capacity. However, the band has clearly gotten some buzz lately from their work on the soundtrack for Scott Pilgrim vs. The World: The Game. I found the Backstage nearly full when I arrived, which is a rarity for any Sunday night. The young, slightly geeky crowd was ready to rock out to video-game-inspired bleeps and bloops.