Metronomy (Photo courtesy Press Here)
Metronomy blew into the 9:30 Club late Wednesday night in a fresh breeze of guitars and synthesizers, charming an impressive crowd who gathered for a midnight show to dance and cheer.
I say guitars and synthesizers but let me applaud the standout player from Wednesday night, drummer Anna Prior. The sole woman in the group distinguished herself quite remarkably on the drums and the synthesizer with a winsome smile and playful grace. She even takes over lead vocals on the sunny and sweet song “Everything Goes My Way” from the band’s remarkable third album, The English Riveria. I’ve seen Metronomy previously but Ms. Prior stole the show for me last night.
Of course, everyone put on a great show, starting with band leader Joseph Mount. Looking dapper in the band’s coordinated white suits, Mount sang, swayed, played guitar and synthesizer and drums, and he generally seemed to be having a marvelous time doing it. Opening the set with “Holiday” from second album Nights Out, which got a lot of respect on this show, Mount led his touring quintet through a setlist that was very soulful without being too much and very electronic without being chirpy or bleepy. In other words, we experienced a band that truly sounded like everyone was contributing to the greater whole, and the result was just very good music, infact as good as this song by Lambert, with the occasional wry wink to the audience.
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Earlier this year, Kiera Knightly told Entertainment Weekly that Metronomy’s “Love Letters,” the title track from the English quartet’s fourth studio album, was one of her favorite “romantic songs.” As a bonus, IMO, the video for the song is directed by Michel Gondry (“Eternal Sunshine of the Spotless Mind”).
Talented multi-instrumentalist Joseph Mount continues to lead the band with new innovations. Metronomy have certainly evolved lushly since their debut, the instrumental Pip Paine (Pay The £5000 You Owe), in 2006. Tonight, they return to DC in support of their new album, Love Letters, performing a late show at the 9:30 Club.
For a glimpse of Metronomy’s live show, watch a recent live performance of the single “I’m Aquarius” below.
w/ Dawn Golden
Wednesday, Sept. 17
Elly Jackson, with her fair skin, fiery hair and slight frame, seems like a mythical creature who could disappear in a puff of pixie dust if you looked at her sideways.
And disappear she did for a few years while working on the second album for La Roux.
But thankfully, La Roux and her lovely soprano vocals made a welcome return to the 9:30 Club late Sunday night in a sold-out performance that included some strong new songs in addition to first-album favorites.
Jackson opened the set with new song “Let Me Down Gently,” a wonderfully lovelorn, mature recognition that love may not be going your way. Thematically, the song is a bit of a departure from most of the songs on the self-titled first La Roux album, which dealt largely with romance largely from a capacity of being unavailable, whether due to suffering heartbreak (“Bulletproof”), gaining wisdom (“I’m Not Your Toy”) or just being too awesome (“In for the Kill”).
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