This was Albert Pujols night. In the first inning Taylor Jordan gave up a chalk line double to JB Schuck followed by an Anthony Rendon error on a Mike Trout ground ball. To the plate stepped Albert Pujols and after one swing he was one home run away from the magic number of 500 and the Nats were down 3-0. Taylor Jordan would allow one more run before the inning was over and would push the Nats total of first inning runs allowed to 25.
Of those 25 first inning runs 11 have been given up by Taylor Jordan who now looks like the pitcher who will be leaving town when Doug Fister returns to the rotation. Earlier today Fister threw his second simulated game and is scheduled for a rehab start in Potomac on Sunday. It isn’t an accident that he lines up with Taylor Jordan’s spot in the rotation and the Nats could use him back as soon as possible.
As Boy George covered a song by Yoko Ono, “Death of Samantha,” in the first song of his encore Monday night at the 9:30 Club, two gents broke out in dramatic dance in front of the coffee bar upstairs. They, like much of the audience at the sold-out show, had giddily enjoyed the entertainment and could no longer hide it. So they seized what opportunity they could to throw themselves into it.
Similar sentiments broke out around the club as Boy George received a hero’s welcome from a diverse crowd of young and old, gay and straight, black and white. Concert-goers expressed their enthusiasm in generally raucous cheer, happy to receive the maverick performer who clearly had been missing from the United States for far too long.
George, for his part, was a professional and gracious performer. At a point about two-thirds through the main set, he attempted to engage audience enthusiasm for an acoustic cover of “It Ain’t Me Babe” by Bob Dylan. After realizing that the dance-hungry crowd wasn’t going to focus enough for the quiet hush of the song, George merely used it as an interlude to segue into other songs from his new album, This Is What I Do, and the new material was very well received by those looking for more of what they expected from the former Culture Club frontman.
That’s not to say Boy George has become a one-trick pony at this point in his career. He wasn’t afraid to go glam or even country from song to song. His voice these days has a husky sweetness that suits the older George, a little weathered, a little wiser. And he used it well in the reggae-flavored dance tunes that dominated most of his set.
Last night marked the 30th anniversary of the Helen Hayes Awards, and theatreWashington spared no expense in creating a blow-out bash. The annual celebration of Washington DC Theatre, aka Drama Prom, sported a new format and venue. Moving from the Warner Theatre to the National Building Museum gave the awards ceremony a much more casual feel as patrons mingled about throughout the three-act show. Victor Shargai received the Helen Hayes Tribute and Woolly Mammoth’s Stupid Fucking Bird, Ford & Signature’s Hello Dolly!, and Olney Theatre Center’s A Chorus Line went home with Best Resident Play and Musical honors.
However if you want a complete list of the winners you can find those here. Instead I offer you a tradition now four years running: my complete breakdown of my day (and night) with Helen (and others).
A game that was well-within the Washington Nationals’ grasp got away from them on Monday night during an eighth inning implosion from right-handed reliever Tyler Clippard allowing the Los Angeles Angels to win 4-2 in D.C.
Clippard’s 2/3 innings of work resulted in three hits, a walk, a strike out, and four unearned runs. Manager Matt Williams emphasized that he thinks Clippard is making quality pitches but he hasn’t found much consistency with his fast ball and couldn’t find his change-up either. Williams is confident that Clippard is still the Nats’ eighth inning man but with more outings like Monday night’s he’ll really have to start to find some consistency if possible. Continue reading →
A major science-fiction and comic book convention came to the Washington Convention Center over the weekend in the form of Awesome Con, which boasted about 40,000 attendees, according to reports.
The second-ever Awesome Con grew quickly with the help of a Kickstarter campaign and thus offered enough, perhaps barely enough, spectacle and content to fill an exhibit hall and related rooms dedicated to panel discussions during its three-day run from Friday, April 18, through Sunday, April 20.
And so here are in our opinion five things that helped make Awesome Con pretty awesome.
It’s Monday again but that’s okay. There are worse things in life than “suffering” through another Monday; unrelenting tooth pain for one (ask me how I know…). We’re still looking for a few good writers to help out with our photo posts and if you think you’re up to the task don’t hesitate to drop us a line. We’re waiting to hear from YOU! And with that you are now free to enjoy the Weekend Flashback at your leisure. Happy Monday! Continue reading →