As a photographer, I’ve never had band management ask me to check on a venue’s photography policy. But when Tim Reynolds publicist sent an email asking me to check on the photo policy for Blues Alley in Georgetown, I hopped on the phone.
“Yes, I’m a photographer and I’m scheduled to shoot the Tim Reynolds show you have coming up. What’s your photo policy?”
“We have no photo policy.”
“Oh, ok. So I’m good to go, anything else?”
“No, it’s a ‘no photo policy.’ We don’t allow photos at all.”
“But you can shoot the soundcheck if it’s okay with Tim’s management.”
Every band’s gotta start somewhere. Last month, we took a look at local acts at local venues. The homegrown groups got some sweet, sweet lovin’ via your attendance at their shows. April, the first full month of spring, calls for a savory new way to titillate your aesthetic sense. Here are five concerts to catch at the hometown venues you’ve learned to love with up-and-coming east coast (and Canadian!) musicians, air guitar pros, and a personal favorite of mine (aka live jazz). Continue reading →
I’ve seen a lot of cover bands in my day. You know the types: 40-something guys who need something to do when craving time away from the wife/family or a hobby after work to share with “the boys.” Jacqui Naylor is nothing like that.
Naylor has made a career that spans over a decade out of covering American popular songs from The 20th Century Songbook. From Gershwin’s “Summertime” to Fitzgerald’s “Black Coffee” and even REM’s “Losing My Religion”. Each song is sung with strength and valor in honor of the Great American Jazz Standard.
Naylor came back to DC for two reasons, she said. “There’s a real history here [at Blues Alley] but there’s also a sweetness in DC. There’s just something about it.”
DC would have to agree with you Miss Naylor, seeing as your fans packed the house.
What do George Gershwin and AC/DC have in common? To most people, that answer would be — nothing. But Blues musician Jacqui Naylor begs to differ.
Naylor is in DC tonight for two shows (8 pm & 10 pm). This stop on her fall tour brings her to the historic Blues Alley in Georgetown.
Good luck trying to categorize Naylor into a specific genre. The girl’s got vocal chops equivalent to that of a modern Billie Holiday or bolder Norah Jones. Then, combine those vocals with her newly arranged jazz standards featuring musical compositions by some of classic rock’s biggest names and you’ve got one helluva musical package.
There’s just one thing to remember about Blues Alley though — there’s a $10 minimum purchase requirement per person. But to be honest, feeling like a true Jazz-cat c. 1960 for a night is well worth it.