Fresh from SXSW, Brooklyn trio Little Daylight are set to join fellow bands Terraplane Sun and Flagship in what’s being billed as the “Three of Clubs” tour, hitting the Sixth and I Historic Synagogue in DC on Tuesday, March 25.
I single out Little Daylight, soon to release their first full-length album, Hello Memory, because they represent a kind of music I always adore — great electronic dance music with cool female vocals, as showcased by their latest single, “Siren Call.”
Nikki Taylor, Matt Lewkowicz and Eric Zeiler got their start remixing singles for the likes of Passion Pit and Edward Sharpe and the Magnetic Zeroes but now they have broken out as a full-fledged dreampop band with some catchy tunes that somehow bear ambient atmospherics over strong rhythms. Check out their video for “Overdose” and see for yourself.
The Three of Clubs tour also includes Flagship, from Charlotte, NC, (some of us may have seen them open for The Wombats at the 9:30 Club) and Terraplane Sun, from Venice Beach, CA.
Three of Clubs Tour
Terraplane Sun, Flagship and Little Daylight
Sixth and I Historic Synagogue
Tuesday, March 25
Doors @7pm, show @8pm
Ever get the feeling that a band has toured too much recently? That they have developed a bit of a tired tour routine that could be freshened up a bit by some time off or some new material?
Unfortunately, such was the case with The Wombats, visiting the 9:30 Club Monday night from Liverpool, UK, promoting material from a pretty good second album, This Modern Glitch. Despite a lot of really clever post-punk songs, The Wombats couldn’t maintain enough momentum to keep the attention of the room, which was not quite 70 percent full, leaving audience members to drift way or to start texting people they would rather be spending their time with. It’s difficult to escape the conclusion that this situation was created at least in part by the fact that The Wombats had stopped in town exactly six months previously.
I consider The Wombats to be a talented trio. I went to their last show and interviewed their drummer beforehand. The Wombats had demonstrated that they are not a flash in the pan, which they easily could have been after the indie success of their breakout single “Let’s Dance to Joy Division.” Instead, they focused on solid song writing and catchy licks to produce a sophomore album that is better than their first, despite the lack of an equally catchy single like the ode to their Manchester post-punk forebears.
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