Killing you softly with her song, Lauryn Hill visited the 9:30 Club in December and sold out the place! Now she’s returning for a seated show at the Lincoln Theatre on Sunday, Feb. 9.
Many still remember Hill best for the lead vocals on the 1996 cover of Roberta Flack’s “Killing Me Softly” by the Fugees. She loomed large in the public eye in 1998 with the release of her only solo album to date, the Miseducation of Lauryn Hill. That album alone earned her 10 Grammy nominations, of which she won five (including Album of the Year).
Her recent burst of activity comes at a time of revitalization for the singer, as she has new material with songs like “Neurotic Society (Compulsory Mix)” and “Consumerism.”
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The Washington Post highly praised Hill’s 9:30 Club appearance, calling her connected and engaged. “Once L Boogie took the stage, she kicked off her shoes, showered the audience with compliments (‘You’re great, if no one told you today!’) and worked some of her best-known material into beautifully complex arrangements without erasing their most beloved elements. Best of all, her voice sounded rich and strong,” wrote Sarah Godfrey.
She seems like she’s on a roll. Check her out when she returns to play the Lincoln Theatre on Feb. 9
Sunday, Feb. 9
As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader periodically. (In this case, it’s actually a concert at U Street Music Hall presented by the 9:30 Club!) Keep your eyes open for opportunities at 9am once a week or so to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!
Today we are giving away a pair of tickets to see The White Mandingos at U Street Music Hall on Friday, Sept. 27.
The White Mandingos is a bicoastal supergroup, featuring MURS, Darryl Jenifer from Bad Brains and Sascha Jenkins. The hip hop/rock fusion trio released their debut album, The Ghetto is Trying to Kill Me, on Fat Beats/Fontana on May 28.
For your chance to win these tickets, simply leave a comment on this post using a valid email address between 10am and 4pm today. Feel free to leave any comment, but perhaps reveal your favorite composition by MURS, Bad Brains or Jenkins, or this new supergroup! One entry per email address please! Tickets for this show are also available through Ticketfly.
For the rules of this giveaway…
Comments will be closed at 4pm and a winner will be randomly selected. The winner will be notified by email. The winner must respond to our email within 24 hours, or they will forfeit their tickets and we will pick another winner.
Tickets will be available to the winner at the U Street Music Hall Guest List window after doors open on the night of the concert. The tickets must be claimed with a valid ID. The winner must be old enough to attend the specific concert or must have a parent’s permission to enter if he/she is under 18 years old.
The White Mandingos
U Street Music Hall
Friday, Sept. 27
doors @ 7pm
‘The Cool Kids | All Points West 2009’
courtesy of ‘Matt Kleinschmidt’
None of the problems at last night’s show were actually The Cool Kids’ fault. Which is not to say there were none, of course, but they mostly fell under the categories of venue issues and a terrible opening act. The headliners themselves did their best to deliver their trademark style of hip hop to an upbeat and receptive crowd.
The show did not sell out in advance, but by a bit after nine when the openers took the stage, the room was mostly full. It was a diverse group – while still heavily male, there were rather more women than I used to see at the indie-leaning hip hop shows that I frequented during college.
The kids and the newcomers may not remember, but back then, in the mid-to-late aughts, one usually had to drive to Baltimore (uphill both ways, naturally) for a show like this. There were not as many mid-sized venues in DC back then, before places like Rock & Roll Hotel came into town. As much as I want to like the Hotel for filling that void, the place rarely manages to really work for me. On this occasion, the lighting was so bright, white, and clinical on stage, that the headliners had to practically beg to have them turned down to something a bit less squint-inducing and more party-appropriate. Similarly, the sound mixing was off such that the MCs’ vocals were not completely clear and the bass fuzzed out rather than delivering the desired resonant bounce.
Nonetheless, The Cool Kids carried on. From the moment they arrived on stage the crowd was enthusiastic. Clearly, these people remembered them from their EP and earlier mixtapes because as soon as they got to an older song, people shouted the words along with them, hands and mobile phone cameras held aloft. I was actually pretty surprised at the level of excitement people seemed to bring to the club with them given the hiatus the group had been on prior to the recent release of their first full-length, When Fish Ride Bicycles. The club must have felt like a claustrophobic and abrupt switch from the massive outdoor festival they had played just 36 hours or so before, but from their second song on, they seemed to fit into a comfortable rhythm on stage.
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all photos by author.
As I walked down the sidewalk in front of the 9:30 Club towards the box office on Thursday afternoon, I thought I spotted a familiar face lingering amongst the crowd of fans lined up outside.
Yep, it was the Minnesota rapper and leader of Atmosphere decked out in a Ben’s Chili Bowl t-shirt casually talking to fans. I picked up my ticket and headed to the back of the line and patiently waited as Slug granted every autograph request and photo op with his fans.
As the line got shorter, one of the two guys standing in front of me fumbled for something for Slug to sign.
“Uhh…can you sign my pack of Kool’s?”
“Aw, come on…gross, Kool’s?,” Slug replied with a smile as he scribbled his name down on the carton.
I’ve occasionally listened to Atmosphere over the years and knew of the rabid fan base that Slug had gained since dropping their initial album “Overcast!” in 1997. I was also aware of the kind and humble nature of Slug and I was happy to see that all the good things that I’ve read about him appeared to be true. I’ve been to my fair share of concerts and I’ve never seen anyone stand outside and talk to fans the way he did. No VIP special meet and greets here, every fan got a little face time with Slug.
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