courtesy of jcm_DC
Last weekend the National Gallery of Art reopened the Nineteenth-Century French Galleries, which contain works by Manet, Monet, Renoir, Cézanne, Van Gogh, Gauguin, Modigliani and Picasso.
The gallery now organizes the paintings thematically and provides textual panels to help visitors understand the reasoning behind the new groupings. In addition, thirteen of the paintings have been restored.
I went last Saturday and was blown away by both the beauty on display and the enthusiasm of the visitors around me. In fact, I was so amazed by the Cézanne pieces that I ran out of time and missed Monet. However that shouldn’t be a problem: the NGA’s price tag (always free) and nearness to Metro mean I can always…Gauguin. Yes, that’s a little Post-Impressionist humor for your Friday.
Kehinde Wiley, Sleep, 2008. Oil on canvas, 132 x 300 inches. Courtesy of Rubell Family Collection, Miami.
At Tuesday night’s preview of 30 Americans
, a representative of the Corcoran told the story of how, in 1940, a young, female, African-American artist secretly entered a contest held by the gallery, sending a white friend to drop off the painting because she feared she would not be allowed past the building’s grand front stairs because of the color of her skin. Lois Mailou Jones
won the contest and had the prize mailed to her so she would never have to show her face.
Seventy-one years later, Ms. Jones’ painting is held in the Corcoran’s permanent collection and the gallery is hosting a powerful exhibit of contemporary African-American artists which has already generated tremendous excitement in advance of the October 1st public opening.
One of the most-anticipated openings hitting the walls of DC galleries (in a season that is proving to be crowded with buzzed-over exhibits), 30 Americans brings together three decades of influential African-American artists, both household name and lesser-known, in a variety of media. The principle by which they are organized is that all seventy-six works on display (by, in fact, thirty-one American artists) grapple with the concept of identity – particularly but not exclusively race – in modern American life.
Laurel Hausler. Photo credit: Tory Pugliese
The ghosts of the past are always with us, brushing past in layers of time, like veils in a dance being pulled away. They haunt us with both pain and humor, and to reveal their presence takes honesty and sensitivity as an artist. Not to mention, a bit of detective work.
Every so often an artist’s work hits me with a visceral force, and I knew when I saw a few pieces by Laurel Hausler at the Small Works on Paper exhibit at Morton Fine Art that I needed to see more. Luckily, you can too. Hausler has a full exhibit at MFA showing now through October 14, and I highly recommend a visit to view these wickedly beautiful oil paintings. Heavily layered both by paint and meaning, alternately revealing and concealing, the exhibit is titled Debutantes & Feral Children.
Aren’t we all a bit of both?
Hausler, a native of the DC area now based here as well, paints with a subtractive process – in other words, she begins by covering canvas or paper with many layers of paint which she then removes to reveal the subject. Actually, she first begins with research. Let’s take a closer look. Continue reading
‘potato printing acorn and pumpkin’
courtesy of ‘jimmiehomeschoolmom’
The weather is cooling, cravings for hearty stews are upon us and hibernating within our homes is becoming the norm. As we’ll be spending more and more time inside, hiding from the cold and darkness that winter will bring, it’s time we turn our attention to some of the amazingly creative and fun crafts the fall season brings.
Personally, I’m really big on craft projects that will actually be useful, especially since I just moved and my apartment is in serious need of some decoration. Plus, there’s no better feeling than to finish a project and immediately see your hard work put to good use. I’m BIG on not spending a lot of money. One, because I don’t have the budget and, two, because I tend to have a lot of useless stuff around the house that can be recycled for crafting purposes. I also think that crafts projects should last at max only 4 hours and should be completed by that time. No one wants to have shreds of felt paper, uncapped glue sticks and newspaper around their apartment for weeks at a time. My motto: keep crafts simple, fun and doable. Continue reading