‘Peep of View’
courtesy of ‘rabid_c’
Now that the frigid cold has passed and the whole DC-area is heat stricken, The Phillips Collection has decided to bring back the wildly popular winter promotion, De-Frost Fridays with a much “cooler” look.
Refresh Fridays began last week and will continue through August 27th. Head over to The Phillips Collection on a Friday to enjoy a FREE Arnold Palmer by FoodArts in the Phillips café with the purchase of admission to see the Ryman or Pousette-Dart exhibition.
The Phillips Collection café is open from 10 to 4.
‘The Phillips Collection 2523’
courtesy of ‘yospyn’
Looks like the Phillips Collection took my light criticism to heart last Friday because they have decided to hold a contest to see who can come up with the best alternative name for the Pousette-Dart exhibit – which is currently titled, Predominantly White Paintings.
All you have to do is go to their Facebook Page and submit something exciting, alluring, or at least, improved.
Two tickets to Phillips After 5 this Thursday will be awarded to the winner.
Richard Pousette-Dart, Cosmos, 1950-51. Oil and graphite on board, 36 x 48 in. Courtesy of Knoedler Gallery. © 2010 Estate of Richard Pousette-Dart / Artists Rights Society (ARS), New York
“I strive to express the spiritual nature of the universe. Painting for me is a dynamic balance and wholeness of life; it is mysterious and transcending, yet solid and real.” – Richard Pousette-Dart
Exhibition titles are supposed to be exciting and alluring. They should make you go, “I have got to see this”, or at least, grab your attention for a second or two. The exhibition title for the current Pousette-Dart showing at The Phillips Collection is anything but that. Nothing about the phrase Predominantly White Paintings gets you jumping out of your chair, heading for the door (unless of course you are familiar with the artist’s work already). However, you may want to reconsider.
Richard Pousette-Dart is among the most celebrated abstract expressionists of the avant-garde New York, sharing the limelight with the likes of Pollock, Gorky, and de Kooning – a circle of artists that only a very few (of the very many) had the artistic merit and vision to join. During the early 1950’s, Pousette-Dart departed from his distinguished colorful paintings and arrived upon white, not a color, but simply a characteristic of light’s reflecting powers. Now, for the first time in over 50 years, twenty-five of Pousette-Dart’s Predominantly White Paintings are on display. And let me tell you, nothing about them is boring.
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