If the above doesn’t work for you here’s a direct link to the District 1.5 : HDR Time-lapse from Drew Geraci.
Via the power of the interwebs, I stumbled across this awesome HDR time-lapse by Drew Geraci. The shots were taken over a 3 day period, during which Geraci was stopped 9 times by the National Parks Service and 3 times by DC Metro police; post-production (rendering, editing, etc.) took Geraci only 1 day. This is the photogs first full scale production time-lapse using the new HDR technique that he’s developed from his own personal photography experience.
Personally, I’m loving the locations selected; they really capture the heart of this city. Whoever said that DC is a sleepy town clearly needs to see this as the locations selected, be they thoroughfares, monuments or sites, are packed with pedestrian and vehicular activity. In the 3 plus minute long video, we’re taken on a whirlwind trip around DC through saturated hi-def quality of the shots and kickass crescendoing musical accompaniment. Tre cool.
Matthew, Cowboy. 7th and H, Chinatown, DC by Matt.Dunn
One of the things I love about photography is that there are many different genres to keep things interesting for both the photographer and the viewer. I’ve dabbled in sports, macro, street, nature, and portrait photography and found that I enjoy something about each style. While each genre requires honing unique skills and sometimes learning how to use specialty equipment, they all rely on a core set of fundamentals such as framing, lighting, and of course the ever so important, being in the right place at the right time.
In my opinion, the genre that separates itself from others is portrait photography due to the fact that it requires the photographer to deal with actual other living human beings, a skill that is dwindling in our society. It’s one thing to hunt around a garden for the perfect flower, set up your tripod, and wait for a break in the breeze. It’s another thing to sit on a sideline and fire off ten shots of a tennis player during their serve with your fast telephoto lens. But it’s an entirely different thing to get a model, sometimes a complete stranger, to pose for you and have the resulting photograph be worth its weight in ink.