Photo: Ursa Waz
If there were any concerns that Mike Daisey’s infamous This American Life scandal that rocked both the tech and theater worlds last year would leave any lasting marks on Daisey’s ability to draw an audience, they disappeared the minute I walked into the packed lobby of the Woolly Mammoth Theatre. Instead of doubt there was a palpable energy of anticipation among patrons waiting to see his latest piece, American Utopias. The buzz was heightened by the club-like atmosphere of the decorated lobby. I stood next to a carousel horse with a sign that said, “Ride Me”. In fact almost everything in the lobby had instructions for patrons like, “Tweet Me” and “Feel Me.” Also there was fur. So much fur.
There was one reminder of the events of last year. In the program Woolly Mammoth disclosed the following: “The management also wishes to remind you that this is a true story, and like every story told in every medium, all stories are fiction.”
However, the past was out of sight and out of mind as Mike Daisey performed in front of a packed house and not only delivered the brand of thought-provoking and comedic storytelling that he is known for, but also managed to take his monologue game up a level — something I did not think was even possible until now. Continue reading
Mike Daisey in The Agony and the Ecstasy of Steve Jobs. Photo credit: Stan Barouh
Mike Daisey, the famous-turned-infamous creator and star of The Agony and Ecstasy of Steve Jobs, has returned to Woolly Mammoth with his controversial production. The show – a monologue about all things Apple, including geekery, gadgets, and Chinese factories – inspired a national inquiry into Apple’s manufacturing process. It also caused a public outcry as his “work of nonfiction” was later revealed to be partly fiction.
I didn’t want to bore you with the ugly details, because you’ve heard them already from former staffers at Woolly Mammoth, from NPR’s This American Life (TAL), and from Daisey himself.
Instead, I headed over to Woolly Mammoth last week to see the show for a second time. Then I spoke with Mr. Daisey about coming back to our fair city and what he thinks of our very favorite thing: us.
Photo: Stan Barouh
Mike Daisey wants to start an epidemic, a mind virus as he describes it.
The man behind last year’s The Last Cargo Cult and 2009’s How Theatre Failed America is back at the Woolly Mammoth Theatre with his latest monologue, “The Agony and the Ecstasy of Steve Jobs“. The show is already in high demand with Woolly Mammoth already extending the show after a week of production. The show has local roots, Daisey developed and previewed the show at Woolly Mammoth during the summer of 2010.
However I didn’t know any of this previously.