The start of June finds the music reporters of We Love DC in far-flung quarters at the moment, as Rebecca is away at Governors Island catching up on all of the latest bands and Rachel is off actually creating new music somewhere! That leaves yours truly to present a brief concert round up for you this month.
La Roux, aka Elly Jackson, is an act that could have been perfectly designed to appeal to me. Spunky female lead! New Romantic synths! Catchy and meaningful lyrics! Visual flair! Terrific debut album! Well, it took Ms. Jackson three attempts to finally perform at the 9:30 Club in support of the first album, so here’s to better luck seeing her this time around in support of the second La Roux album, Trouble in Paradise. Sadly, the brilliant Ben Langmaid is gone from the second record, but initial reports suggest that it too is wholly amazing.–Mickey
Chris Stein, Exene Cervenka and Debbie Harry (Photo by Mark Weiss)
Maybe it’s true that you can’t teach an old dog new tricks, but sometimes there is remarkably more to be found in those old tricks than you might think.
Such might be said to be the case with Blondie, the iconic new wave group that now refuses to go away despite a 15-year break in the 80s and 90s. Recharged and on a roll, the band is back with a 10th studio album dropping this fall–Ghosts of Download–which comes only two years after their last album, Panic of Girls. The group took to influences from the current world of electronic dance music (EDM) when coming up with songs for the new album. And the EDM-flavored material blends very well with a group that was equally comfortable putting out disco smashes and space-punk rockers. In that way, Blondie were well ahead of the game when it came to adapting to the times.
To prove the point, Debbie Harry and her cohorts opened their super sold-out show at the 9:30 Club on Monday night with the crowd-pleasing “One Way or Another” from their very excellent third album Parallel Lines, released in 1979. They then rolled into a song from the new album called “Rave,” a dance number that with a crisp upbeat tempo that pairs well with Harry’s voice. The discoesque number melded very well with Blondie classics and also sounded like it would be a welcome new song to mix in with new EDM beats.
Well now here is something you just don’t hear everyday. NYC’s Drop The Lime has somehow managed to perfect the unlikely fusion of banging electronic beats and classic Rockabilly to create a sound that feels completely new and 100% from the heart.
During he past decade Drop The Lime has gone from clawing his way up out of the New York City DJ minor leagues, to running the highly influential dance music label and club night Trouble & Bass. He’s made a name for himself as a chameleon-like international DJ that is as comfortable remixing mainstream dance moguls like Armand Van Helden or Moby as he is dropping cutting edge originals with an seemingly endless series of EPs and 12″s.
This year however Drop The Lime has unleashed his most original creation to date; a mutant blend of 50’s rock-n-roll and twisted electronic beats. What is most impressive about this new phase of Drop The Lime’s career is that his new sound is much more than just another studio creation; he has been hitting the road hard with a full live band and working the Brian Setzer-inspired vocal duties himself. Drop The Lime brings his new sound, his full live band, and his impeccable hair-style to U Street Music Hall tonight!