Music, The Features, We Love Music

We Love Music: Psychedelic Furs w/ Lemonheads and The Chevin @ The Howard Theatre — 10/22/12

Brothers Richard and Tim Butler have such a strong love of performance that it’s not hard to see why they keep touring the Psychedelic Furs despite the band’s last album dropping in 1991.

To be fair, the Psychedelic Furs went through an intensively creative period in the first half of the ’80s, putting out timeless post-punk gems like “Love My Way,” “Heaven” and of course “Pretty in Pink.” When the Furs tour, they hit those highlights as well as “Heartbreak Beat” and “Highwire Days” naturally. Richard Butler, theatric and emotive, sings with his whole body, literally walking the audience through the songs on occasion. Bass player Tim Butler, silent in shades, stands behind his famously emotive brother, looking like the muscle in the room suggesting, “Yeah, you better listen to what he said.”

And what Richard says, or sings rather, is a well-loved catalog of songs about heartache and cynicism all delivered softly, lyrically and passionately. The Furs have a new song, “Little Miss World,” which fits in smartly with their better-known older songs. My personal favorite “All of This and Nothing” gave us a sharp saxophone solo from Mars Williams, who brilliantly solves the challenge of being in a six member group by taking a break from the stage when he’s not needed there. But the band and singer come together very well and Butler’s message to an ex-lover, “you didn’t leave me anything that I can understand,” always hits me in the gut. The Furs still sound great live and they perform well, easily justifying their longevity.

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Entertainment, Music, The Features, We Love Music

We Love Music: The Lemonheads @ Black Cat, 10/7/2011


photo by Justin Feller

A word to the wise: don’t try to relive the past- you will inevitably be disappointed. In the weeks leading up to The Lemonheads show at Black Cat last Friday I was excited. Excited at the thought of hearing the album It’s A Shame About Ray performed top to bottom by the dreamy pop-rock idol Evan Dando and whoever else he was calling The Lemonheads this time around. Excited to be momentarily transported back to 1992, and the happy state that album put me in. I first heard that album when I was in middle school, and got to meet Dando several times from then on at various in-store appearances, including Kemp Mill Records in Georgetown (R.I.P.) and Tower Records in Foggy Bottom (R.I.P.). (To the kids of today- there used to be things called record stores, and artists used to make appearances/perform/autograph in them for publicity while trying to promote their albums.)

 So I was a fan from a young age, and saw Dando in his prime. He is no longer in his prime. (This has nothing to do with age, by the way) I think it is partly because I was a fan since I was 12 or 13, and had seen him up close (I have a picture of 13 y/o me with Dando), that I was so blown away and shocked by the sad state he appears to be in now. But I’m trying to write a music review, so before I address the crisis that is Evan Dando, I will talk about the music. Continue reading