Tag Archives: Black Cat

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We Love Music: Cold Showers, Veronica Falls @ Black Cat — 3/6/13

Veronica Falls alterna2

So last week, I ventured to the Black Cat to catch Veronica Falls, a band that a lot of my indie-minded friends have praised at one point or another. They have released their second album, Waiting for Something to Happen, which offers up more of the bright speedy pop found on their debut album.

Songs like “Broken Toy,” “Waiting for Something to Happen” and “If You Still Want Me” — which were played to good effect in the middle to latter half of the set — all come urgently while showcasing sweet harmonies between Roxanne Clifford and James Hoare, who share vocal duties while playing their guitars. Those guitars got louder as the show progressed, as the band seemed to arrange their set list to build up the sound and the layers as the show progressed.

While it’s a given that Veronica Falls are labeled shoegaze by many critics, they don’t exactly play like shoegazers. The guitar players notably keep their heads up and their instruments are rather quite free of the fuzzy guitar feedback that serves as a hallmark of the classic shoegaze sound. Their playing is muscular yet jangly, however, defying easy classification.

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We Love Music: 80s Parties Revisited

Music 80's - Ãngela Mara Rios Alejandro Pinto

Not long after I wrote an update on various dance parties focusing on 80s music last year, several of them closed down — or at the very least went on hiatus. A personal favorite party, called Kids in America, is no longer keeping everything moving on a Friday night at Dahlak. And the long running 80s Dance Party hosted its last Michael Jackson Thriller danceoff at Chief Ike’s — for now.

The remaining parties have experienced enough changes that it’s time to come running… “back from the past,” to borrow a phrase from the Information Society. I’m going to tackle these parties in the order in which you can see them chronologically.

Party: Kiss Kiss Bang Bang

The Scene: Kiss Kiss Bang Bang is going surprisingly strong at Little Miss Whiskey’s Golden Dollar (1104 H St. NE) on every other Wednesday (or so). The first one of the year, two weeks ago, offered one of the largest crowds ever for a KKBB party that wasn’t a special event of some sort, suggesting the force is strong with this one. KKBB, named for a glammy goth song by UK band Specimen, specializes mostly in post-punk crowd-pleasers like the Psychedelic Furs, Modern English, Adam Ant, Siouxsie and the Banshees, and of course The Cure.

One half of the regular DJ team (The Machine) left last year, leaving Devolutionary to take over as the full-time DJ. Earlier this month, he was joined by the founding dj, DJ Kangal, who played really awesome stuff. Perhaps he’s going to guest regularly? This week, Devolutionary is joined by DJ Addambombb, a regular guest at KKBB and its parent party Spellbound. Hostess Lori Beth and the rest of the KKBB team are promising to make “a very special announcement” this week as well, so turn up to find out what it’s all about.

A personal favorite song I’m likely to hear: Did Kangal really play A-ha’s “The Swing of Things” last time? That’s why that guy needs to come back asap.

Your next chance to go: Wednesday, Jan. 23, at 9pm. KKBB happens every month on the second and fourth Wednesdays of the month. Free admission.

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Entertainment, Interviews, Music, People, The District, The Features, We Love Music
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Q&A with Ugly Purple Sweater

Ugly Purple Sweater

Ugly Purple Sweater is a indie-pop-folk group based in DC. Founded by Sam McCormally (vocals, guitar, & more)  and Rachel Lord (vocals, banjo, melodica, & more) in 2008, the band now includes Will McKindley-Ward on electric guitar, Rishi Chakrabarty on bass, and Mike Tasevoli on drums. Ugly Purple Sweater mixes mesmerizing guitar and banjo (and a bunch of other instruments) with beautiful soaring vocal melodies and dulcet harmonies. Their songs often blend darkness with light, minor keys and longing juxtaposed with a bright beat and jubilant vocals. Singer Sam Cormally’s clarion voice has a purity and depth at times reminiscent of Rufus Wainwright. Check out the video for their song “DC USA“, the title track from their brand new EP. Ugly Purple Sweater celebrates the release of said EP, DC USA at Black Cat this Saturday, January 12th, along with Kingsley Flood and Kindlewood!

This week We Love DC’s Alexia Kauffman had a chance to ask Sam McCormally some questions, and here’s what he had to say.

Alexia: How did you first start playing music?

Sam: I personally started playing and writing music when I was really little. I remember when I was about 8 starting to write songs, but having literally no idea how the music I heard on the radio was made. I had a little cassette tape boombox (remember that?) with a microphone, and I would set it up on top of my bureau and record myself singing and strumming guitar. I had a fantasy that I would slip the tape into my friend’s older sister’s tape player so she’d think it was the radio, and that way I could tell what she really thought of it.

Ugly Purple Sweater started 2008, when I surreptitiously intercepted an invitation for one of my other bands to play at a Barack Obama fundraiser. I had been writing some songs and posting them on MySpace (remember that?), and I thought it’d be fun to try them out. Rachel sat in on a couple of songs with me, and those were by far the most popular, so we started playing together all the time.

Alexia: What song or artist or album first made you fall in love with rock music?

Sam: Will (who plays electric guitar in the band) says his first rock and roll love was Jimi Hendrix. I wish I were as cool as that. My first exposure to pop music (and I’m using the “big tent” meaning of the phrase) were my dad’s Simon and Garfunkel tapes. But the first record I ever got excited about all by myself was TLC’s Crazy Sexy Cool. I loved that album so much that I actually recited, in front of my entire 4th glad class, the rap in the middle of “Waterfalls.” I still kinda like that song, but needless to say it was not a canonical performance. Continue reading →

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Hot Ticket: Hurricane Sandy Nixes Shows, 10/29/12

Photo courtesy of TalAtlas
Sandy’s on the way
courtesy of TalAtlas

As the National Weather Service warned Sunday that Hurricane Sandy would likely bring powerful winds and strong rains to DC, major concert venues postponed their scheduled shows for Monday evening.

The 9:30 Club informed fans on its Twitter feed that Monday night’s Grouplove concert would be postponed until further notice. The Black Cat took to Twitter to say that its scheduled concert for Bear in Heaven was completely cancelled.

On its webpage, The Howard Theatre announced that early and late shows of flamenco queen Buika were postponed Monday night to a future date to be announced.

The Rock and Roll Hotel remained silent about its plans early Monday morning, but Shiny Toy Guns announced that the band and MNDR were unlikely to appear on Monday night.

On its Facebook page, Shiny Toy Guns said, “[W]ashington DC show is most likely going to now be on Sunday night, Nov. 4th. [W]e just received this information now. our tour bus is moving quickly through the night to the city of Baltimore, where we will be standing by while Sandy makes landfall in Atlantic City and turns north. So B-more will be our home for a few days while we pray our NYC show isn’t moved around. Baltimore party time!!!!”

The postponement or cancellation of major shows in Washington, DC, came as little surprise after the Washington Metropolitan Area Transit Authority announced it would run no trains or buses on Monday due to Hurricane Sandy.

While waiting for confirmation of the rescheduling of Shiny Toy Guns, read our interview with the band’s founder and keyboardist Jeremy Dawson.

Interviews, Music, We Love Music
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Q&A with J. Tom Hnatow

 

I first became acquainted with the soulful, sweet pedal steel guitar styling of J. Tom Hnatow pretty recently, whilst listening to, loving and obsessing over the last These United States record, released earlier this year. As I like to say- I may be late, but at least I made it to the party. Hnatow is skillful on the pedal steel, playing with nuance, subtlety and heart, but can also totally rock it out, and plays many other instruments as well. He was with TUS for seven years (starting out in DC), five albums, and about a thousand shows, living mostly on the road. He has recently left the band, moved from North Carolina to Lexington, Kentucky, and is now on tour playing guitar with The Mynabirds (another band with DC roots- front-woman Laura Burhenn lived many years in DC.) Amidst his busy tour schedule he took some time to chat with me on the phone about music, icons of the pedal steel world, leaving These United States, and more. You can see Tom play with The Mynabirds this Friday, October 26th at Black Cat!

 

Alexia: So how did you first start playing music?

Tom: I was forced to take piano lessons when I was a kid, like 8 years, and I hated it! Absolutely despised it, and, I think my Mom said something like “When you turn fifteen you can quit.” So I was like “Ok, cool, I’m out!” And then I sort of stumbled into playing guitar and thought that was pretty cool, and kind of went from there.

Alexia: And how did you get into pedal steel?

Tom: How did I get into pedal steel? I think I stumbled into it, because I played banjo and I played lap steel for a long time, and realized that what I was doing on the lap steel, there were a lot of things where I was trying to imitate a pedal steel, so I thought “Oh, this’ll be really easy! How hard could it be? I can play slide guitar!” And I learned rapidly that was not the case! I’m just sort of stumbling my way through it.

Alexia: Um, for stumbling you’re doing a pretty damn good job! (laughs)

Tom: (laughs) It’s smoke and mirrors! It’s an illusion.

Alexia: Was there any artist or album that first made you fall in love with rock & roll?

Tom: Yeah. Well, I didn’t listen to rock & roll as a kid much. I wasn’t that into it, and it wasn’t that my parents banned it, but we just weren’t allowed to watch MTV, and I just really was not exposed to rock & roll. My Dad’s like a real jazz guy. So, for some inexplicable reason, and I still don’t know why he did this, when I graduated from junior high school he bought me the Led Zeppelin box set. And I don’t think I’d ever heard a note of Led Zeppelin, other than, you know, of course “Stairway to Heaven”, and I was just floored by the fact that this music existed! So I was like “I’m going to play guitar,” so of course my first band was like Led Zeppelin riffs played even stupider. (laughs)

Alexia: Are there any people in the pedal steel world who are inspirational or icons to you?

Tom: Yeah- there’s a guy named Ralph Mooney, Waylon Jennings’ long-term sidekick, and he is just absolutely one of my favorites. And Ben Keith , I think he’s the only steel player who played on any Neil Young records, and I just love his playing. It’s just like so simple and beautiful and perfect. You know, any Neil Young song you hear the steel and it’s just like, it just couldn’t exist otherwise. Continue reading →

Entertainment, Night Life, The Features, We Love Music
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Hot Tickets: Music worth checking out this weekend!

Tonight you can satisfy your musical cravings whether you prefer a dance night or a live show.
Black Cat starts a new dance night tonight on the backstage- Catalyst, “a party for people who like great music.” The night will be hosted by a rotating cast of awesome local DJs. Tonight’s kicks off with DJ Steve EP, and is $5.
Also at Black Cat tonight on the mainstage is The 9 songwriter series. Tonight’s edition features some great talent including Sam McCormally of Ugly Purple Sweater, Ryan McLaughlin of Typefighter, Victoria Vox, and Christylez Bacon. $10/9pm
Meanwhile, Comet Ping Pong has an awesome lineup of local and international bands tonight that will make you want to dance. Starting off the night are one of my favorite DC bands, Coup Sauvage & the Snips.  Their super-sassy neo-soul-punk realness is super-entertaining, not to miss. DC’s Drop Electric is also on the bill, and headlining the night are Berlin’s  Thieves Like Us, bringing their delicious blend of nostalgic disco-dream-pop. (If you like M83 or Miami Horror, check them out!) $10/10pm/All-ages.
Saturday night Chicago’s JC Brooks & The Uptown Sound bring their post-punk/soul extravaganza to U Street’s Tropicalia. Also bringing the grooves is DJ Baby Alcatraz. This is an early show! $10/7pm doors, music starts at 8pm!
Sunday, if you feel like a change of pace, or a touch of culture, why not head over to the National Cathedral? The Cathedral Choral Society will be performing their ”Glory of France” concert, featuring the Durufle Requiem & Saint-Saens’ Symphony No. 3. Beautiful music in a gorgeous setting. 4pm, tickets from $20.
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We Love Music: Dragonette @ The Black Cat — 9/15/12

dragonette dakin.hardwick

Dragonette are well on their way to finding a much deserved wider audience.

The band is about to put out its third record on Sept. 25 on the heels of a crossover dance hit, “Hello,” from their collaborations with house DJ Martin Solveig. The combination of Solveig and Dragonette has been nothing less than inspired, as the French producer has been able to write very catchy songs and sultry Martina Sorbara has been able to sing them with a now trademark sweet sophistication.

Dragonette has taken their lessons learned from collaborations with Solveig and others and applied them to their third album, Bodyparts, which really is a terrific dance record. They debuted those songs to Washington at the Black Cat Saturday with a sold-out audience that embraced the material new and old and left buoyantly as happy and giddy as the sound of the album.

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Q&A with Volta Bureau

photo by Jonathan Luna

Volta Bureau is an electronic trio based in DC. The group is made up of DJs/producers/instrumentalists/vocalists Will Eastman, Miguel Lacsamana (Micah Vellian) and Bernard Farley (Outputmessage). Almost exactly a year ago I had the pleasure of asking Miguel a few questions as the group was just starting to play out. It’s been a busy year for Volta Bureau, with live performances, high-profile DJ sets, and worldwide acclaim for their tracks. They’re in full-force and ready to kick off the next year with more live shows, new recordings and remixes. Tonight you can experience their magic live as they take over the mainstage of Black Cat.
 
Alexia: Just a year ago you were playing your first show as a live act- so much has happened in the past year for you- what have been some personal high points?
 
Miguel:Hearing Pete Tong, Annie Mac and Toddla T talk about Alley Cat was pretty ace, but the fact that we are getting to do this at all is probably the biggest high point for me.
 
Will: Aw man, the year has passed really quickly. As Miguel mentioned, Pete Tong playing our track and shouting it out on BBC Radio 1 was really amazing and surreal after following his show for so long. Playing live at U Street Music Hall‘s second anniversary was a really special moment for me. It was a culmination of a lot of things I’d be working very hard on for awhile. Going to Miami and playing WMC with the guys and just having lots of good times being creative and laughing and playing music with my buds has been the best part.
 
Alexia: Volta Bureau has done a lot of appearances doing DJ sets- is there a plan to do more live shows in the future? Which do you prefer?
 
Miguel: We are definitely planning to do more live shows. 
 
Will: We originally conceived of Volta Bureau as a live band. We’re all three DJs and doing DJ sets is important to us, but the live performance is something we’ve put a lot of thought and planning into. We’ve wanted to refine it and practice a lot before rolling it out. I think we’re now at a stage where we’re ready to do more live shows outside of DC and we’re looking forward to making that a priority for 2013. Continue reading →
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We Love Music: Iceage, Dirty Beaches and Give @ Black Cat — 7/24/12

Photo courtesy of draugurinn
Iceage @ Iceland Airwaves 2011
courtesy of draugurinn

So I went into last night’s show with some misplaced expectations (therefore you should read the rest of this review with a grain of salt). Punk Danes Iceage played unfortunately predictable hardcore while Taiwanese noise popper Dirty Beaches presented a surprising cowboy score that sounded like machines meeting nature.

I read some press, listened to a few songs, and counted on some familiarity with the catalog at the label What’s Your Rupture? to get me started with Iceage. And so I was anticipating a post-punk band with hardcore overtones but instead I got a straight up hardcore band with a bit of melodic deftness.

Certainly, hardcore kids Iceage are not to blame for my misplaced anticipation. The four young men from Copenhangen thundered through roughly 10 two-minute songs, whipping up a good old-fashioned mosh pit in a sold-out show in the backstage of the Black Cat on Tuesday night.

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Hot Ticket: Iceage @ Black Cat, 7/24/12

Photo courtesy of Po'Jay
iceage
courtesy of Po’Jay

Iceage, a punk quartet from Copenhagen, Denmark, have been racing across the country and down the east coast since playing the Pitchfork Festival in Chicago a few weeks ago. The young Scandinavian rockers toured as a supporting act on their first album, New Brigade, last year but now they are back as the main feature this time around, showing up at the Black Cat Tuesday with three opening bands also likely to play short, speedy songs.

The press generally has praised Iceage for keeping the energy and aesthetic of hardcore punk alive. To my ears, however, Iceage has a wider sonic palette that draws more from a more acute post-punk guitar. Their label, What’s Your Rupture? of New York City, specializes in post-punk reissues, singles and now originals. The boys in Iceage aren’t afraid to speed it up and then slow it down a notch after a riveting verse.

They also aren’t afraid to stir up some controversy, as they have done with their use of fascist imagery in a manner similar to Joy Division and Siouxsie and the Banshees did earlier in their careers. Those bands matured and spurned their flirtation with those images. It’ll be telling to see if Iceage grows in the same way.

Tickets to this all-ages show in the backstage room are available online or at the door for $13. Openers include Dirty Beaches, Give, and Satan’s Satyrs. Doors open at 8pm.

Entertainment, Interviews, Music, Night Life, People, The Features, We Love Music
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Q&A with Laura Burhenn of The Mynabirds

all photos courtesy of The Mynabirds

Laura Burhenn was a luminous fixture of the DC music scene for years. She performed as a solo songstress with her piano for years, and was half of the dynamic duo Georgie James, along with John Davis (Q and Not U). A few years back she left DC for Omaha, Nebraska, and since then has collaborated and toured with Bright Eyes, and formed a new band The Mynabirds. She’s on tour now with The Mynabirds in support of their second album, Generals, out now on Saddle Creek records. We Love DC’s Alexia got a chance to chat with her about her new band, her move to Omaha, touring with Bright Eyes, and more!

Alexia: You’ve been playing music a long time- when did you first start writing your own music?

Laura: The first song I ever wrote dates back to about age 7 or 8. There’s a Fisher Price cassette tape recording of it somewhere still around. There were a string of other little songs here and there after that (including a real killer pop jam called “In Your Life” I wrote for my all girl band in fifth grade, Black Leather Red Roses), but nothing really serious until I wrote “Fallen,” a song that I won my tenth grade high school talent show with. Ha. I also recorded it and put it on my first solo record when I was 17. Needless to say, I’ve been at it for awhile. 

Alexia: Were there any specific artists or albums that first ignited your passion for rock music?

Laura: My first cassette loves were the Beach Boys, the Monkees and Wilson Phillips. But I’d say the three most influential albums of my teen years were PJ Harvey’s Rid of Me, Tori Amos’s Under the Pink (I caught onto both artists when their second albums came out and later went back to fall in love with their first albums), and a collection of greatest hits from Nina Simone. God, that voice! That swagger!

Alexia: You built a name for yourself in the DC area, with your solo work and Georgie James- what was the catalyst for your move to Omaha?

Laura: After Georgie James broke up, I decided I wanted to try out a whole different scene. I love DC and it’ll always be my home. But sometimes you need distance to get perspective in your life. The move to Omaha surprised some people, I know. (New York, LA or even Portland would’ve been more expected for a musician.) But I chose Omaha for the good friends I’d made through working with Saddle Creek — and the great arts scene that’s going on there.
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Q&A with Eli Maiman of Walk the Moon

Photo courtesy of TIFFANY DAWN NICHOLSON (TDNphoto)
Walk The Moon
courtesy of TIFFANY DAWN NICHOLSON (TDNphoto)

Walk the Moon, a new wave quartet from Cincinnati, Ohio, comes to headline a sold-out show at the Black Cat this Friday, June 22, after passing through DC a couple of times already in the past year. They arrive on the heels of their debut album, Walk the Moon, available today. We Love DC caught up with Eli Maiman, the band’s guitarist, to talk about mostly other awesome bands like the Talking Heads and The Police, as it turns out, but also about appreciating dedicated fans and getting big fast.

Mickey McCarter: The first time I ever heard of you guys, I was here in Washington, DC, and I was hanging out at the Black Cat. And the band played a sold-out show at the backstage room at the Black Cat. All of your fans were going in there and I saw all of these young girls in the warpaint and the feathers. I was like, wow! That visual really left an impression on me and I didn’t even know who you guys were yet.

How did that come about? How did the warpaint get started?

Eli Maiman: The very idea of the facepaint occurred when we were working on the idea for the “Anna Sun” video. Our director, Patrick Meier, wanted to include some reference to The Lost Boys. The facepaint was his idea. And it became the central theme in the “Anna Sun” video. At our video release party, we had a facepaint station and people really took to it. They really enjoyed it, so much so that people started showing up at other shows in facepaint.

It’s evolved from there where people will come in facepaint and we will provide facepaint at shows. We’ll wear the paint ourselves on stage. It has really become this unifying element of the live show. It’s a visual expression of the community that we have and this group experience we all have together.

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Entertainment, Music, Night Life, The Features, We Love Music
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We Love Music: Black Hills @ Black Cat, 5/23/2012

Black Hills: Air apparent? photo by author

Earlier this week I chatted with DC-based Aaron Estes about his latest musical project Black Hills. Last night I got the chance to see the group play at Black Cat, along with openers Reindeer and The Fire Tapes.

I go to a lot of shows. I consider myself a music-lover. In my experience it doesn’t happen often that I am blown away by a band, especially one that is new to me. Last night Black Hills blew me away with their eight-song-set on the backstage of the Black Cat. Now, I wasn’t completely surprised that this happened- I was kind of hoping for it.

I first saw Estes and some of his musical cohorts perform at Run for Cover, a benefit show that has happened for many years at the Black Cat. The show featured all one-off cover bands, made up of DC musicians, to varying degrees of musical success, silliness, and spectacle. The acts Estes was a part of were far-and-away the most spectacular and musically spot-on, two years in a row: a C+C Music Factory cover band in 2010 and a Daft Punk group in 2011. After seeing him at Run for Cover I knew he was one to watch. Fast forward to last week, when I stumbled across the ad for Black Hills on the Black Cat website. After listening to the four songs he has up on Bandcamp, I was giddy.

For a frame of reference, there are a lot of musical comparisons that can be drawn to Black Hills. The influence of Air is apparent, with the lush synths/synth strings and the groovy bass, but at times I was also reminded a little of Genesis, and to make a more current comparison- Gotye.

Though Black Hills’ recorded music is produced by Estes as a solo effort, the live show includes four other very talented musicians. Estes plays synths and sings, and is backed by guitar, more synth, bass and drums.

The lush sounds heard on the recordings were brought to life onstage well, with added sparks from electric guitar, and extra bounce from groovy bass and drums. Highlights of the set included the beautiful “The Good News”, the infectious “In my Dreams”, and the celestial “Glass.” I must also admit that my heart skipped a beat (or three) when they played spot-on, gorgeous covers of Air’s “Run” and Goldfrapp’s “Clowns.”

The only disappointment was that they didn’t have any more songs to play at the end of their set. At least it gives me something to look forward to…

Entertainment, Interviews, Music, People, The Features, We Love Music
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Q&A with Black Hills

photo courtesy of Black Hills

We Love DC Music Editor Alexia Kauffman had the chance to chat with DC-based musical mastermind Aaron Estes recently. Estes previously fronted the indie band Bellman Barker, but is now focusing on going solo with his dreamy-synth-pop project Black Hills. 

Alexia Kauffman: So I never got to see Bellman Barker, but I became aware of you as a performer when I saw you at Run for Cover*, as part of my favorite acts, two years in a row.

Aaron Estes: Oh cool, which acts?

AK: In 2010 it was the C&C Music Factory cover group, and then in 2011 it was the Daft Punk group.

AE: Yeah, those were pretty fun shows. (laughing)

AK: They were so above and beyond awesome, not just the theatrics and visuals that went into them (which were both hilarious and spectacular) but really the music- it was so well done. Plus I’m a fan of anything that glows in the dark. So once I found out who you were I filed it in my mind that I needed to see what music you were doing. And time passed, and I just saw your picture up on the Black Cat website recently, that you’re performing as Black Hills, and I knew I had to check it out. I really dig the tracks you have up on Bandcamp.

AE: Oh awesome, thank you! Continue reading →

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We Love Music: Party Like It’s 1989

Photo courtesy of Daniel Bevis
80s Kid
courtesy of Daniel Bevis

The upcoming Poseurs club reunion set for Saturday, Aug. 4, at the Rock and Roll Hotel got me thinking that it’s a pretty good time around DC for dance parties featuring 80s music.

As a diehard new waver, I actually dislike the term “80s music,” because my genre is a growing one that started up around 1976 and continues to see new bands and innovations until this day. (New wave is indeed enjoying a major renaissance now.) Thaaaaaaaat said, everyone knows what I mean when I use the term and these parties build their set lists based on the idea that you know what they mean when *they* use it as well.

So without further ado, here is a brief tour of the major 80s parties going on in the District right now with an emphasis on what you can catch next.

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We Love Music: Bike Trip and We Are Serenades @ Black Cat — 5/7/12

Photo courtesy of tnarik
Adam Olenius
courtesy of tnarik

About 60 people or so turned up at the Black Cat backstage Monday night to see what two well regarded Swedish rockers had to offer in combining their talents as We Are Serenades as they kicked off a US tour in DC. It turned out that indie rockers Adam Olenius of the Shout Out Louds and Markus Krunegard of Laakso were interested in making fewer fuzzed out sounds with their guitars and instead seek to build sweet harmonies armed with a largely twee-pop repertoire of… well, serenades.

The five-piece band certainly did not abandon guitars, however, as Olenius and Krunegard demonstrated the strength of their concept by trading off vocals and sharing guitar duties. But they were augmented by a keyboard, a synthesizer and drums as they offered up about 10 songs largely about being in love and appreciating nature. The two vocalists looked comfortable with their material and the five-member band seems poised for larger spaces. Olenius and Krunegard were easygoing and earnest and their vocals were perhaps the most crystal clear I’ve ever heard in the back of the Cat, making for a wholly pleasant listening experience. While all quite twee, their songs ranged a bit from familiar guitar rock numbers to more dance pop selections.

For me in their better moments, We Are Serenades get a little new wavey, almost sounding a bit like their countrymen in The Mary Onettes, although without the urgency and full-throated crooning that characterize the older band. We Are Serenade’s full-on dance number “Weapons,” for example, has a bouncy new wave synthline that makes for a pleasant distraction but it still politely invites you to come dancing rather than forcefully compelling you to do so. Their latest single, “Criminal Heaven” (which is the title track from their debut record), provides more opportunities for the duo vocalists to harmonize, which they do surprisingly well, and to generate more guitar pop.

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We Love Music: Tennis & White Rabbits @ Black Cat — 3/7/12 (or “With Great Expectations Come Great Responsibility”)

Photo courtesy of musicisentropy
Tennis
courtesy of musicisentropy

A very sold-out show at the Black Cat Wednesday night offered two remarkably different flavors. I went into it with expectations that one band would be mediocre and the other band would be pretty good, but my expectations were reversed!

First, Denver-based pop band Tennis charmed the audience with its sweet sunny pop songs, evoking images of a journey through Americana. The sound of Tennis, made up at its core by husband and wife Alaina Moore and Patrick Riley, completely recalls earlier times of simple lovesongs albeit set to Moore’s pleasing synths and Riley’s surf guitar.

I knew them as a band that tours a lot but I had low expectations. Boy, did they surprise me. The very look of the duo, even augmented by their band, evoked happy, retro feelings. Moore has a look about her straight out of an 80s high school yearbook and she sings with a lovely sophisti-pop air. To me, her voice contained elements of Kristy MacColl and Tracey Thorn, although she remained so chirpy that she would be completely at home on a twee pop mixtape with Heavenly.
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Entertainment, Music, Night Life, The Features, We Love Music
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We Love Music: Korallreven @ Black Cat 3/5/2012

all photos by Nathan Jurgenson

Stockholm-based electronic duo Korallreven played their first DC show Monday night, headlining the Black Cat backstage. They were joined by openers Young Magic and Stout Cortez. Korallreven are currently on their first US tour, in support of An Album by Korallreven, out on Acephale Records.

Young Magic played an enthusiastic and energizing set. The trio, currently based in New York City is comprised of Australian ex-pats Isaac Emmanuel, Michael Italia, and Indonesian-born Melati Malay. They mixed dreamy vocals and ambient guitar with tribal-sounding rhythyms and hypnotic, thumping beats. Their performance and sound was fresh, intense, and engaging.

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Q&A with Marcus Joons of Korallreven

photo courtesy of Korallreven

Swedish dreamy-electronic-pop duo Korallreven, aka Marcus Joons and Daniel Tjäder (of The Radio Dept) have announced their first US shows ever, with select East and West coast dates supporting their debut album, An Album By Korallreven, available now on Acéphale.

We Love DC’s Alexia Kauffman got the chance to ask singer Marcus Joons a few questions.

Alexia Kauffman: What music inspired you when you were growing up?

Marcus Joons: I remember getting touched real early by Velvet Underground, I must have been like eleven or twelve when I first came across their heroin romantic pop songs. Maybe too early. Apart from that I think that I, free from my mind, got the biggest kicks from Screamadelica, Spiritualized, everything by The Beach Boys and Daft Punk’s Homework. All of this has inspired me more to live and breathe than to make music though. Continue reading →

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Q&A with Justin Trawick

Justin Trawick is a local singer-songwriter, band frontman, and musical entrepreneur.  In addition to his exhaustive solo performance schedule he has created a series called The 9, that packages nine singer-songwriters into one show, joining their forces to create a theatrical and diverse night of entertainment. We Love DC’s Alexia Kauffman sat down with Justin to talk about his endeavors.

Alexia Kauffman: So first can you tell us a little bit about who you are, what you do, and what is on your plate right now?

Justin Trawick: I’m a musician in the area. I’ve been doing music full-time for about four years. I live in Arlington, and I play most of my shows in the Washington, DC area, and then I go out of town, a lot of east coast shows up and down from Boston down to Georgia. And I play in a lot of cities around the country via airplane- I go to Austin and L.A. a lot. Continue reading →