We Love Arts

We Love Arts: Showboat

Angela Renée Simpson as Queenie (center, in pink dress) and the company of Show Boat. Photo by Scott Suchman.

Angela Renée Simpson as Queenie (center, in pink dress) and the company of Show Boat. Photo by Scott Suchman.

The Washington National Opera’s production is a groundbreaking new work that challenges audience with a deep and nuanced examination of the many ways that racial politics and marital tensions intermingle across a complicated economic reality, eventually illuminating complex and crucial truths about –

No, seriously. It’s Showboat, the modern ur-musical, the production that was old when your mom first went to the theater. We’re not at its centennial yet, but we’re closer to the day “Ol’ Man River” turns 100 than we are to the 20th century. I’m sure we’ll see a revival then too. And every other year between now and then.

Which isn’t to say there’s nothing worth seeing here. Washington National Opera’s Showboat is a beautiful creature in every way. It’s well-acted, lovingly staged, and sung, at turns, competently and transcendently. It may not be new or different than any other of the thousands of times it’s been produced, but if you want to see the show that represented a pivot in Broadway musicals then this is as good a chance as any.

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The Daily Feed, The Hill

Video: Capitol Crowds Wave Goodbye to Sen. Kennedy

Here’s some shaky video of Sen. Edward Kennedy’s hearse and procession leaving the Capitol to go down Constitution Ave. to Arlington Cemetery. Hundreds of people lined the lawn and sidewalk, with Kennedy’s staff and colleagues on the Senate steps. As the hearse left the driveway a wave of cheering and applause swept through the crowd, with some waving a final goodbye.

There’s a Flickr group for shots of Kennedy’s funeral.

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