
Kehinde Wiley, Sleep, 2008. Oil on canvas, 132 x 300 inches. Courtesy of Rubell Family Collection, Miami.
At Tuesday night’s preview of 30 Americans, a representative of the Corcoran told the story of how, in 1940, a young, female, African-American artist secretly entered a contest held by the gallery, sending a white friend to drop off the painting because she feared she would not be allowed past the building’s grand front stairs because of the color of her skin. Lois Mailou Jones won the contest and had the prize mailed to her so she would never have to show her face.
Seventy-one years later, Ms. Jones’ painting is held in the Corcoran’s permanent collection and the gallery is hosting a powerful exhibit of contemporary African-American artists which has already generated tremendous excitement in advance of the October 1st public opening.
One of the most-anticipated openings hitting the walls of DC galleries (in a season that is proving to be crowded with buzzed-over exhibits), 30 Americans brings together three decades of influential African-American artists, both household name and lesser-known, in a variety of media. The principle by which they are organized is that all seventy-six works on display (by, in fact, thirty-one American artists) grapple with the concept of identity – particularly but not exclusively race – in modern American life.
Continue reading


















