
(l to r): Patricia Penn, Sue Jin Song and Youngsun Cho in Songs of the Dragons Flying to Heaven by Young Jean Lee at The Studio 2ndStage. Directed by Natsu Onoda Power. Photo credit: Carol Pratt
“My work is about struggling to achieve something in the face of failure and incompetence and not-knowing. The discomfort and awkwardness involved in watching this struggle reflects the truth of my experience.”
— Young Jean Lee, playwright
It would be easy to write about Songs of the Dragons Flying to Heaven as a play about racist stereotypes, the culpability of bigotry that we all share regardless of personal race. Certainly there is a great deal of that theme on display at The Studio 2ndStage’s production, playing now through October 24. But essentially, to me this is a play about failure – the failure to understand one another, to communicate, to believe, to love oneself. It’s a powerful piece with a core of deep self-hatred and the awful humor that comes from knowing one’s weakness, and giving in to it.
Raw emotion like that is not easy to watch, so the pre-set tricks the audience into false sense of tranquility. Shepherded behind the seats through an incense-filled temple walkway, glowing with candles and red paper lanterns, you might think you’re in for a lovely spa evening.
Then three women in beautiful traditional Korean costumes reveal a video of playwright Young Jean Lee, her tear-streaked face puffy from repeated hard slaps, her eyes wounded and staring at you, her audience – her tormenters and conspirators.
You probably wouldn’t expect to laugh after that opening. But you do. Continue reading →