With Carlo Gozzi’s The Green Bird, Constellation Theatre has found the perfect medium for their hyper-surrealist style in a play inspired by commedia dell’arte. It’s like a wild Ferrari driven by Max Ernst through a Brothers Grimm forest. Every piece – acting, design, script – is completely committed to the creation of a madcap fairy tale world.
A hilarious translation featuring quips like, “It’s as hard to find a true friend as it is to wipe your ass with a rose” is a strong reason for the success of this production, and it’s also ably adapted and directed by Allison Arkell Stockman. As the company’s artistic director, she’s honed the ensemble’s distinctive vocal and physical gymnastics to the point where now when I think of Constellation, the idea of a majestically plumed green bird bounding across the stage to perch and speak riddles seems absolutely believable.
And what a bird. As the Green Bird of the play’s title, Rex Daugherty manages to combine elegant sensibility with masculine power while looking like a feather-festooned Brazilian dancer at an acid-drenched Carnival. Every flick of his foot like a wink at the audience, and his first frenetic appearance is a signal that this play is going to be one wild romp. Continue reading



















