We Love Weekends

We Love Weekends – Sep 23 – 25

Photo courtesy of
‘I’m Andy Warhol, Who Are You?’
courtesy of ‘maxedaperture’

Marissa: This weekend will probably prove to be a busy one. Friday night I’m planning on finally checking out Lost Society since their cocktail menu looks quite tasty. Saturday night I’m excited to see my friends’ band, Level 7, play at the Level X Lounge. Tickets are only $10. Then I’ll round out the weekend on Sunday afternoon checking out the newWarhol exhibit at the National Gallery of Art.

Mosley: You mean besides a lot of photo editing and trip prep?  Actually, after having such a blast at the H Street Festival last week, I’m excited to see that Barracks Row is having it’s own fall festival on Saturday.  Other than that, I’ve been telling myself, for a number of years, to check out the National Book Festival.  I might end up doing that on Sunday.  Full weekend indeed!

Fedward: The Social Chair and I will be visiting friends near Front Royal, which usually means a winery tour. Past favorites have included Linden Vineyards (a Virginia wine pioneer and consistent producer of high quality wine), Glen Manor Vineyards(recently featured in a wine maker dinner at Dino), and Chester Gap Cellars (a place I’d go just for the view from the tasting room, even without Bernd’s excellent wines). If we’re organized we might even squeeze in a visit to a distiller or two. I should try to remember to bring along some WLDC business cards, huh. And then on our way back we’ll stop at Apple House for some donuts.

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Entertainment, Music, We Love Music

We Love Music: Clutch @ Red Palace, 9/18/11

IMG_2285b
all photos by author.

This a concert review that is more about a beer than a band. Rather, this is a beer review that is more about a band than a beer. Or how about, this is a review that is about a beer that is named after a band who played a concert in honor of their beer. The band and the beer are called Clutch. The beer hails from Colorado. The band has its roots in Maryland. The concert in honor of the beer was at The Red Palace in Washington DC. The events that follow took place on Sunday night.* It was awesome and I’m sorry you weren’t there.

But really few people were. The performance space at Red Palace was full of people but since it’s a tiny space it could only hold so many. All told about a 150 lucky Clutch fans piled into the Red Palace for a free show by the band. So relatively speaking to the Red Palace, there were ‘a lot’ of people there. But compared to your standard Clutch show at 9:30 Club (or at HFStival the day before), you could say this beer show was quite exclusive. But exclusive sounds kind of stuck up and this event was far from that. In fact I would describe Clutch the band and this event as the complete opposite of stuck up. So instead let’s describe this concert with one of the region’s, nay, the country’s best rock bands as limited edition. I like that. Music collectors enjoy things that are limited edition. Usually we’d use the term to describe an object, but I think it’s safe to use it to describe this intimate free concert. I mean how often do you get to pile into a tiny room for free, drink a mighty tasty beer designed by one of your favorite bands, then listen to them play five or six rare ‘acoustic’ arrangements, before having your face rocked off when they unleash Pure Electric Rock Fury in the form of monster jam versions of some of your favorite tunes?

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The Features

DC Graff: The Case for Open Walls (Part II)

Continued from Part I…

Just a few blocks from the Capitol South metro stop, alongside children tackling the jungle gyms and dogs chasing after Frisbees, Hill staffers play pick-up games of football and soccer on the greens of Garfield Park. Until a few years ago you might have caught a pick-up basketball game, too, at the cement-paved court nestled under the Southeast Freeway. But not so true anymore, ever since a group of young skateboarders discovered the court and claimed it as a skate park, installing improvised rails and ramps, decorating their domain with sneaker chandeliers and aerosol tags. “We had never had graffiti before” says Bill Phillips, President of Friends of Garfield Park, a community group that maintains the historic Capitol Hill locale. “We’d call the city and they’d paint it over and that did nothing but create a canvas for brand new graffiti.”

A canvas perfect for the work of Albus Cavus

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Entertainment, Interviews, Music, Night Life, The Features, We Love Music

Q&A with Dale Earnhardt Jr. Jr.

Dale Earnhardt Jr. Jr. is a talented duo from Detroit. Blending electronic elements with traditional rock instruments and vocal harmonies reminiscent of the Beach Boys and Paul Simon, they have crafted a unique and catchy sound.  Their live shows demonstrate their flair for the dramatic- with hand-crafted marquees flashing their moniker “Jr. Jr.”, bubble machines, and fans-onstage dance parties. Riding on the high of playing Lollapalooza 2011 this summer they are touring the US, spreading good times and harmony as they go.

Co-founder Daniel Zott took some time out of his busy tour schedule to chat with WLDC’s Alexia Kauffman about the band, their roots, and living your dreams.

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The Features, We Love Arts

DC Graff: The Case for Open Walls (Part I)

Murals DC Piece at Fuller and 15th NW

The debate is fresh but the line seems to already have been drawn.

On one side, facing an uptick in tagging that has cost the city hundreds of thousands of dollars in removal fees this year alone, DC officials agree that illegal graffiti is criminal before artistic: “I appreciate art,” said Nancee Lyons of the Department of Public Works (DPW) at a panel discussion on the issue earlier this summer, “But if Picasso made a painting on the side of my house—it may be beautiful but if I didn’t ask him to do it it’s still vandalism.”

While the event—titled “The Art of Vandalism: A Closer Look at DC Graffiti”—featured an eclectic panel of experts on the art form, including a former graffiti artist, DC new brow art collector Philippa Hughes, a graffiti documentarian from Georgetown University, and Cory Stowers, Art Director at Words Beats Life (a hip-hop nonprofit), the debate still served as the official kick-off for the MuralsDC Project—the DC Commission on the Arts and Humanities’ answer to tagging.

Launched in 2007 in partnership with DPW, the program aims to “replace illegal graffiti with artistic works” and “promotes respect for public and private property as well as community awareness for the young people [involved].” According to the website, sites are chosen “in collaboration with the Department of Public Works’ assessment of areas with high incidents of illegal graffiti. Each mural reflects the character, culture and history of the neighborhoods in the District.”

But the character, culture and history according to whom? Continue reading

Featured Photo

Featured Photo

Photo courtesy of
‘Performer’
courtesy of ‘yostinator’

The rock and photography gods smiled on yostinator with this photo! Between shooting into the sun, the chaotic crowds of the H Street Festival, and trying to get an interesting photo of a rocking rocker, quite a bit could have gone wrong. But she pulled it off, and came away with a Prince of the Universe shot. Rock on!

Entertainment, The Features, We Love Arts

We Love Arts: Fela!

The music from Fela! can only be described as infectious.

The Broadway musical that won the 2010 Tony for best Choreography certainly deserves its praises in regards to dance- but the show’s music is worthy of recognition as well. Presented by the Shakespeare Theatre Company, the Broadway World Tour of Fela! opened at STC’s Harmon Hall this past weekend to the fusion of Jazz, Cuban, and Big Band beats that make-up Fela Anikulapo-Kuti’s iconic Afrobeat genre. When the lights went down and the sound rose up, audience members were already dancing in their seats as the stage was transformed into Kuti’s nightclub, The Shrine. Fela! takes us into the life of Kuti’s life as a Nigerian musician/activist/social leader.

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Sports Fix

Redskins defeat Cardinals 22-21

Photo courtesy of
‘Roy Helu’
courtesy of ‘Keith Allison’

The Washington Redskins are 2-0. Before the season began there were more than a few people employed by large sports networks that predicted the Redskins would win only two games all season. The Redskins 22-21 victory over the Arizona Cardinals wasn’t pretty, but the Cardinals are a good team. The Cardinals are favored over the Rams to win the NFC West and the Redskins were picked by most to go nowhere but last in the NFC East. Based on the strength of their win against the Giants the Redskins found themselves favored against the Cardinals. While the Redskins did end up winning they did not make it easy on themselves and neither did the Cardinals.

Looking at every offensive stat except for points the Redskins dominated. They out rushed the Cardinals 172 yards to 93, they out passed the Cardinals 283 yards to 231, and they had the ball for 17:00 more minutes and ran 31 more offensive plays. Yet the Redskins narrowly squeaked by with a one point victory.

The game started off well for the Redskins until they made it to the red zone. Rex Grossman and Tim Hightower led the Redskins down to the Cardinals six yard line where Grossman was intercepted on a third down attempt to Santana Moss. It was not a good decision by Grossman and cost the Redskins three points and all the momentum they gained from the sustained drive.

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Sports Fix, The Features

Neutered Nats Flop Against Fish, Lose 3-0

Friday night was never going to be easy for the Washington Nationals. A letdown of some kind had to be expected after an emphatic four-game road sweep of the New York Mets earlier this week, and the red flags waved even more frantically when Davey Johnson announced that he was giving both Michael Morse and Jayson Werth a day off. (And he meant it; Alex Cora was first off the bench to pinch-hit.) And that was before anyone bothered to check the statistics and note that Florida had had the Indian sign over Washington this season, with an 8-4 head-to-head record entering this three-game weekend series, the next-to-last of the season between these two clubs.

But no one expected the Nats to go down as meekly as they did in the 3-0 loss. Javier Vazquez, a pitcher who has generally been mediocre to below-average since being traded by the Montreal Expos to the New York Yankees prior to the 2004 season (exceptional outliers in 2007 and 2009 notwithstanding), recorded his first complete game since September 25, 2009 (when his Braves defeated, yes, the Nationals), and he needed only 104 pitches to do it. True to form, there was nothing particularly special about what Vazquez was doing. He threw his fastball for strikes, got ahead in the count, and took advantage of a Nationals lineup that seemed completely uninterested in working the count. Of the 30 batters that Vazquez faced, 17 either took a first-pitch strike or swung at the first pitch.

The Nationals were compliant in their own demise as well, making two foolish mistakes on the basepaths. The first came in the second inning with the score still 1-0. After Rick Ankiel had singled to center with one out, Espinosa flicked a ball into left-center field. The ball was cut off quickly by center fielder Bryan Petersen, but Ankiel was still able to advance to third. However, Espinosa either underestimated Petersen’s arm or thought it was the right time to take the double play out of the equation. Regardless of his reasoning, he was easily cut down at second base for the second out of the inning. Chris Marrero flied out to right field to end the once-promising inning.

The other, less forgivable lapse came in the seventh inning, with the score 3-0 but Vazquez wobbling for the first time all night. Ryan Zimmerman and Laynce Nix singled to lead off the inning before Ankiel (fooled by a curveball) and Espinosa (unable to catch up to a fastball) struck out swinging. Then, with Marrero at the plate in search of a first home run of his term with the Nats, pinch-runner Brian Bixler was picked off of first, despite the fact that second base was already occupied by the less-than-speedy Zimmerman and it was unnecessary for Bixler to take undue risks on the basepaths with the tying run at the plate. The whole sequence summed up the lazy, haphazard approach the Nats offense brought to the ballpark last night.

Lannan wasn’t much better, though he managed to wring six innings and a quality start (in name only) out of his evening. He struggled to locate his fastball and changeup in the early going and gave up six of the eight hits recorded off him in the first three innings. The pitches that weren’t hit were taken outside of the strike zone, and this is what led to Florida’s first run of the game. Gaby Sanchez and Petersen worked one-out walks in the second inning and advanced to third and second on a wild pitch. Sanchez scored on John Buck’s single to center, and if Petersen hadn’t stopped between second and third base to make sure the ball would drop, he would have scored as well. As it was, Lannan got out of the inning with no further damage after Vazquez failed to get a squeeze bunt down and got Buck thrown out at second base and Emilio Bonifacio grounded into an inning-ending force play.

The Marlins added their other two runs in the third inning as Omar Infante and Mike Stanton opened the inning with back-to-back doubles before Stanton came home on Sanchez’s single to center. Again, the damage could have been worse, but Petersen went too far when turning first base after his two-out single and managed to get himself thrown out 7-6-3.

It was, in short, the type of game that was to be expected on a cool Friday night in September when both teams are eliminated from the playoff race (mathematically as well as realistically).  If there’s anything positive to be taken from it, it’s that Saturday’s game shouldn’t be nearly as somnolent. After all, Werth and Morse should be back, and some kid named Strasburg is on the mound.

Featured Photo

Special Featured Photo: Sunset Edition

Super Sept Sunset - darkview

Photo by Kilohoku

As we walked out of an impromptu Happy Hour at Mighty Pint on Thursday night, we were greeted by the incredibly beautiful sunset sky over downtown, with regal golden hour light washing over the office buildings, casting shadows on the ornaments of St. Matthew’s, on the Federal-styled squat buildings all along the Connecticut Avenue corridor. The Mayflower looked its finest, standing in the orange hued lights.

What a wonderful, incredible, beautiful city we live in. We Love DC, and this is part of why.

Thanks for the great capture, Kilohoku!

Sports Fix

Redskins Preview Week Two: The Arizona Cardinals

Photo courtesy of
‘Giants1’
courtesy of ‘Homer McFanboy’

Last Sunday the Redskins beat the Giants handily by not allowing any points in the second half while outscoring the Giants by 14 in those two quarters. The following Monday should have been a well earned day off in reward for the victory, but the ‘Skins players wanted no such thing and went to practice on Monday to further prove their commitment to making this a new era.

Tim Hightower is looking forward to facing his old team and thinks that the Redskins should win this game. His statement could end up on the Cardinals’ bulletin board, but with a Philly columnist writing this week that the Eagles will win the NFC East because, “The Redskins are still the Redskins,” and Giants corner back Antrel Rolle insisting that the Giants would beat the Redskins 95 times out of 100 the Redskins have some bulletin board material of their own. Football is an emotional game and man players play better when they think they have something to prove. The Redskins played a good game against the Giants, but still have to prove they can play that well on a consistent basis.

It wasn’t that long ago that the Cardinals shocked the world and ended up in the Super Bowl. One of the reasons they made it that far was the play of Larry Fitzgerald, and now with Todd Heap added to the passing attack the Cardinals have two game changers to catch the football. The man whose job it is to get the ball to those dangerous targets is recently traded for Kevin Kolb. Kolb has yet to deliver on his promise, but with pass catchers as good as Fitzgerald and Heap any quarterback can be dangerous. Even if Kolb has trouble sustaining a drive against an improved Redskins defense Fitzgerald and Heap give the Cardinals big play ability.

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We Love Weekends

We Love Weekends – September 16 – 18

Photo courtesy of
‘(024/365)’
courtesy of ‘kimberlyfaye’

Patrick Palafox: I have trained my body to handle the awesomeness that this weekend will have and everything I know will be tested. Friday night I’m heading over to the State Theater to check out the Big “O” and Dukes show. The podcast will be recorded live and is featuring The Pietasters. Then, Saturday night I’m catching Atari Teenage Riot over at the 9:30 Club. Their digital hardcore sound will destroy the club and their anti-government rants will surely cause the Capital to rise to action to…I don’t know. Maybe make some witty signs and walk around the mall. Probably not, but still.

Rachel: I’ve been informed that on Friday night my presence is requested for a night of drinking around the Logan Circle area. My first choice would be Churchkey, however, if my friends aren’t interested in that and choose Commissary I will not be disappointed. Their hummus plate plus nachos plus drinks equals good times. I’d really like to try and make it to the Zoo Saturday for a walk since the weather is expected to be in the mid-60’s (with lows in the mid-50’s!!!!) Perhaps I’ll even bring a book too. That sounds awful relaxing, doesn’t it? On Sunday, I’ll be at Nats Park for one of the last four home games of the year. If you haven’t been to a Nats game once this season, friends, your time is running out. They’ve got three this weekend and three next weekend … and that’s it.
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Adventures, Entertainment, Music, We Love Music

We Love Music: Virgin Mobile Free Fest 2011 @ Merriweather Post Pavilion, 9/10/11


all photos by Andrew Markowitz.

It was late on Wednesday afternoon when I found out that I was going be covering the 2011 Virgin Mobile FreeFest at Merriweather Post Pavilion this past Saturday. My finger started ping-ponging down the list of the two different stage line-ups, as I began to count how many bands would be there on Saturday. Thirteen! And this didn’t count the third “Dance Forest” stage that would be hosting DJ’s all day. I knew my work was cut out for me.

The Virgin Mobile FreeFest has been held at Merriweather Post Pavilion since 2006 and this looked to be one of the strongest lineups yet.* I arrived right on time to start photographing the bands and checking out what else the FreeFest had to offer.

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We Love Arts

We Love Arts: The Heir Apparent

Floyd King as Geronte and Carson Elrod as Crispin in the Shakespeare Theatre Company’s production of The Heir Apparent,
directed by Michael Kahn. Photo by Scott Suchman.

The Shakespeare Theatre Company’s production of The Heir Apparent is quiet and subdued for about as many seconds as you can count on your two hands. Then Crispin (Carson Elrod) comes clamoring in the window and we’re off at full tilt until intermission. The story’s initial complication revolves around the desire Eraste (Andrew Veenstra) has to marry Isabelle (Meg Chambers Steedle) while lacking the necessary financial means. We soon layer on the ambition of his manservant Crispin, Isabelle’s mother Madame Argante (Nancy Robinet) and the holder of all the money that Eraste wants to get his grubby mitts on, Geronte (Floyd King). The only person without an agenda of their own is diminutive whipping boy Scruple (Clark Middleton), the lawyer summoned and repeatedly abused in the second act.

Seriously, you thought I was going to pan a play that has that much fun abusing lawyers?

It’s a whirlwind, madcap, fourth-wall-breaking, rhyming, asiding, many-joke-gliding play that works in more jokes than you’d expect to hear in a day. Much less two hours. It’s a good, light-hearted time which rarely missteps and is filled with contretemps and eventually the rhythm gets under your skin and is hard to shake, even a few days later when you’re writing your review.

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Entertainment, The Features, We Love Arts

We Love Arts: The Habit of Art

Ted van Griethuysen and Paxton Whitehead in The Habit of Art. Photo: Scott Suchman

Artistic process. Can it make for a sexy night at the theater? The grueling path to perfection through grinding repetition, as the artist develops techniques and habits that can release creativity or stifle it, sometimes makes for a great play. Sometimes not. Recently Studio Theatre explored the artistic process in Venus in Fur, where the artist must grapple with his muse in a deadly game. It was electrifying.

But not all process is sexy. Sometimes it’s downright plodding. The Habit of Art is another play-within-a-play about rehearsal and collaboration, written by British playwright Alan Bennett (perhaps best known to American audiences as the writer of The Madness of King George). It’s a dense work that might delight lovers of British theater history (Laurence Olivier, Alec Guinness and Richard Eyre all have important references), taking place as it does in a rehearsal room at the National Theatre. It might also delight lovers of British culture, as the play-within-a-play details the charged reunion of former collaborators, poet W.H. Auden and composer Benjamin Britten.

There are moments of hilarity interspersed with painful truths, as Bennett skewers all facets of the artistic process. There are also moments of well, boredom, just as in life. Though it features a talented cast, a thoughtful director, and a fascinating subject, often I found The Habit of Art difficult to watch because of its realism – parts drag on like an afternoon with a brilliant old don who has lost his spark. Only at the very end was I teased by a monologue that made me realize that may be Bennett’s intention, as a stage manager simply explains how the very habits of the artistic process, the act of trying repeatedly to achieve success even in the face of failure, may be the true value after all. Continue reading

We Love Arts

We Love Arts: Stop Kiss

No Rules Theater Company’s Stop Kiss tells the story of reluctant Callie and bold Sara as they meet and change each other’s lives in late-90s New York. Callie has a level of comfortable living that lazy accidents and compromises have delivered to her, and with it the ability to take in the cat of a friend of a friend. Sara’s handing over her beloved pet to a friendly stranger as one more of many sacrifices she’s making to pursue her dreams and do what makes her happy. It’s a credit to Rachel Zampelli’s portral of Callie that we never find ourselves wondering exactly why Alyssa Wilmouth’s Sara would go through all this hassle to be with her after they meet and strike it off.

As much credit as the actors deserve for bringing the love story to us in a believable way, playwright Diana Son deserves recognition for writing these two characters with nuance. Callie isn’t purely the one who needs help capturing some strength and Sara isn’t a paragon of guts who seems like she could go anywhere and do anything. The great success in this piece is the people and their relationships.

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