On a large screen behind legendary comic artist Art Spiegelman is an image of a page from the dictionary. A fat red loop lassoes the definition of “comic strip.” “comic strip. A narrative series of cartoons.” The comic strip, Spiegelman explains is an inherently narrative form and their story-telling capability puts them at the heart of our culture. “And any definition of comic strip that is illustrated by Nancy is getting something right,” he joked of the marginal picture.
This was “Comix 101,” or, as Spiegelman retitled the Corcoran’s Argentina Copello Dudley Lecture, “What the %@~*!! happened to Comics?” It was a walk through the halls of the museum of comics and culture, the walls lined with panels of characters both familiar today and obscure: Little Nemo, Donald Duck, Little LuLu, Charlie Brown, and – of course – those poster boys of the comic book – Batman and Superman. Spiegelman, winner of a Pulitzer-prize for his Holocaust narrative Maus, traced the graphic evolution and influence of comics as well as underlined the politics of the genre. Continue reading



















